A policy is typically described as a principle or rule to guide decisions and achieve rational outcome(s). The term is not normally used to denote what is actually done, this is normally referred to as either procedure or protocol. Whereas a policy will contain the 'what' and the 'why', procedures or protocols contain the 'what', the 'how', the 'where', and the 'when'. Policies are generally adopted by the Board of or senior governance body within an organization where as procedures or protocols would be developed and adopted by senior executive officers. Policies can assist in both subjective and objective decision making. Policies to assist in subjective decision making would usually assist senior management with decisions that must consider the relative merits of a number of factors before making decsions and as a result are often hard to objectively test eg. work-life balance policy. In contrast policies to assist in objective decision making are usually operational in nature and can be objectively tested eg. password policy.

A Policy can be considered as a "Statement of Intent" or a "Commitment". For that reason at least, we can be held accountable for our "Policy"

The term may apply to government, private sector organizations and groups, and individuals. Presidential executive orders, corporate privacy policies, and parliamentary rules of order are all examples of policy. Policy differs from rules or law. While law can compel or prohibit behaviors (e.g. a law requiring the payment of taxes on income), policy merely guides actions toward those that are most likely to achieve a desired outcome.

Policy or policy study may also refer to the process of making important organizational decisions, including the identification of different alternatives such as programs or spending priorities, and choosing among them on the basis of the impact they will have. Policies can be understood as political, management, financial, and administrative mechanisms arranged to reach explicit goals.'''

Impact

Intended effects

The intended effects of a policy vary widely according to the organization and the context in which they are made. Broadly, policies are typically instituted to avoid some negative effect that has been noticed in the organization, or to seek some positive benefit.

Corporate purchasing policies provide an example of how organizations attempt to avoid negative effects. Many large companies have policies that all purchases above a certain value must be performed through a purchasing process. By requiring this standard purchasing process through policy, the organization can limit waste and standardize the way purchasing is done.

The State of California provides an example of benefit-seeking policy. In recent years, the numbers of hybrid cars in California has increased dramatically, in part because of policy changes in Federal law that provided USD $1,500 in tax credits (since phased out) as well as the use of high-occupancy vehicle lanes to hybrid owners (no longer available for new hybrid vehicles). In this case, the organization (state and/or federal government) created an effect (increased ownership and use of hybrid vehicles) through policy (tax breaks, highway lanes).

Unintended effects

Policies frequently have side effects or unintended consequences. Because the environments that policies seek to influence or manipulate are typically complex adaptive systems (e.g. governments, societies, large companies), making a policy change can have counterintuitive results. For example, a government may make a policy decision to raise taxes, in hopes of increasing overall tax revenue. Depending on the size of the tax increase, this may have the overall effect of reducing tax revenue by causing capital flight or by creating a rate so high that citizens are deterred from earning the money that is taxed. (See the Laffer curve.)

The policy formulation process typically includes an attempt to assess as many areas of potential policy impact as possible, to lessen the chances that a given policy will have unexpected or unintended consequences. Because of the nature of some complex adaptive systems such as societies and governments, it may not be possible to assess all possible impacts of a given policy.

Policy cycle

In political science the policy cycle is a tool used for the analyzing of the development of a policy item. It can also be referred to as a "stagist approach". One standardized version includes the following stages: # Agenda setting (Problem identification) # Policy Formulation # Adoption # Implementation # Evaluation

An eight step policy cycle is developed in detail in ''The Australian Policy Handbook'' by Peter Bridgman and Glyn Davis: (now with Catherine Althaus in its 4th edition)

# Issue identification # Policy analysis # Policy instrument development # Consultation (which permeates the entire process) # Coordination # Decision # Implementation # Evaluation

The Althaus, Bridgman & Davis model is heuristic and iterative. It is intentionally normative and not meant to be diagnostic or predictive. Policy cycles are typically characterized as adopting a classical approach. Accordingly some postmodern academics challenge cyclical models as unresponsive and unrealistic, preferring systemic and more complex models. They consider a broader range of actors involved in the policy space that includes civil society organisations, the media, intellectuals, think tanks or policy research institutes, corporations, lobbyists, etc.

Content

Policies are typically promulgated through official written documents. Policy documents often come with the endorsement or signature of the executive powers within an organization to legitimize the policy and demonstrate that it is considered in force. Such documents often have standard formats that are particular to the organization issuing the policy. While such formats differ in form, policy documents usually contain certain standard components including:

A purpose statement, outlining why the organization is issuing the policy, and what its desired effect or outcome of the policy should be.

An applicability and scope statement, describing who the policy affects and which actions are impacted by the policy. The applicability and scope may expressly exclude certain people, organizations, or actions from the policy requirements. Applicability and scope is used to focus the policy on only the desired targets, and avoid unintended consequences where possible.

An effective date which indicates when the policy comes into force. Retroactive policies are rare, but can be found.

A responsibilities section, indicating which parties and organizations are responsible for carrying out individual policy statements. Many policies may require the establishment of some ongoing function or action. For example, a purchasing policy might specify that a purchasing office be created to process purchase requests, and that this office would be responsible for ongoing actions. Responsibilities often include identification of any relevant oversight and/or governance structures.

Policy statements indicating the specific regulations, requirements, or modifications to organizational behavior that the policy is creating. Policy statements are extremely diverse depending on the organization and intent, and may take almost any form.

Some policies may contain additional sections, including:

Background, indicating any reasons, history, and intent that led to the creation of the policy, which may be listed as motivating factors. This information is often quite valuable when policies must be evaluated or used in ambiguous situations, just as the intent of a law can be useful to a court when deciding a case that involves that law.

Definitions, providing clear and unambiguous definitions for terms and concepts found in the policy document.

Typologies

Policy addresses the intent of the organization, whether government, business, professional, or voluntary. Policy is intended to affect the 'real' world, by guiding the decisions that are made. Whether they are formally written or not, most organizations have identified policies.

Policies may be classified in many different ways. The following is a sample of several different types of policies broken down by their effect on members of the organization.

Distributive policies

Distributive policies extend goods and services to members of an organization, as well as distributing the costs of the goods/services amongst the members of the organization. Examples include government policies that impact spending for welfare, public education, highways, and public safety, or a professional organization's benefits plan.

Regulatory policies

Regulatory policies, or mandates, limit the discretion of individuals and agencies, or otherwise compel certain types of behavior. These policies are generally thought to be best applied when good behavior can be easily defined and bad behavior can be easily regulated and punished through fines or sanctions. An example of a fairly successful public regulatory policy is that of a speed limit.

Constituent policies

Constituent policies create executive power entities, or deal with laws. Constituent policies also deal with Fiscal Policy in some circumstances.

Miscellaneous policies

Policies are dynamic; they are not just static lists of goals or laws. Policy blueprints have to be implemented, often with unexpected results. Social policies are what happens 'on the ground' when they are implemented, as well as what happens at the decision making or legislative stage.

When the term policy is used, it may also refer to:

Official government policy (legislation or guidelines that govern how laws should be put into operation)

Broad ideas and goals in political manifestos and pamphlets

A company or organization's policy on a particular topic. For example, the equal opportunity policy of a company shows that the company aims to treat all its staff equally.

The actions the organization actually takes may often vary significantly from stated policy. This difference is sometimes caused by political compromise over policy, while in other situations it is caused by lack of policy implementation and enforcement. Implementing policy may have unexpected results, stemming from a policy whose reach extends further than the problem it was originally crafted to address. Additionally, unpredictable results may arise from selective or idiosyncratic enforcement of policy.

Types of policy analysis include:

Causal (resp. non-causal)

Deterministic (resp. stochastic, randomized and sometimes non-deterministic)

Index

Memoryless (e.g. non-stationary)

Opportunistic (resp. non-opportunistic)

Stationary (resp. non-stationary)

These qualifiers can be combined, so for example you could have a stationary-memoryless-index policy.

Types

Company Policy

Communications and Information Policy

Human resource policies

Privacy policy

Public policy

* Defense policy

* Domestic policy

* Economic policy

* Education policy

* Energy policy

* Environmental Policy

* Foreign policy

* Health policy

* Housing policy

* Information policy

* Macroeconomic policy

* Monetary policy

* Population policy

* Public policy in law

* Science policy

* Security policy

* Social policy

* Transportation policy

* Urban policy

* Water policy

Other uses of the term

In enterprise architecture for systems design, policy appliances are technical control and logging mechanisms to enforce or reconcile policy (systems use) rules and to ensure accountability in information systems.

In insurance, policies are contracts between insurer and insured used to indemnify (protect) against potential loss from specified perils. While these documents are referred to as policies, they are in actuality a form of contract - see insurance contract.

In gambling, policy is a form of an unsanctioned lottery, where players purport to purchase ''insurance'' against a chosen number being picked by a legitimate lottery. Or can refer to an ordinary Numbers game

In artificial intelligence planning and ''reinforcement learning'', a policy prescribes a non-empty deliberation (sequence of actions) given a non-empty sequence of states.

In debate, the term "policy" is slang for policy or cross-examination debate.

See also

Mandate (politics)

Overton window

Policy analysis

Policy studies

Political science

Program evaluation

Public administration

Public health

Public policy (law)

Public policy schools

Public services

Social contract

Social welfare

Social work

Think tank

References

Howard, Cosmo. "The Policy Cycle: a Model of Post-Machiavellian Policy Making?" The Australian Journal of Public Administration, September 2005.

Stone, Diane."Global Public Policy, Transnational Policy Communities and their Networks", ''Journal of Policy Sciences'', 2008

External links

Category:Government * Category:Politics by issue Category:Decision theory

da:Policy de:Policy hi:नीति id:Kebijakan it:Policy (politica) nl:Beleid ja:政策 ko:정책 sv:Policy yi:פאליסי zh:政策

Coordinates	57°37′″N39°51′″N
name	Sarah Brightman
background	solo_singer
birth date	August 14, 1960
origin	Berkhamsted, Hertfordshire, England
genre	Classical crossover, operatic pop, symphonic rock, pop, New Age, rock, dance, electronica, techno, folk, traditional
instrument	Vocals, piano, keyboards
occupation	Singer, actress, songwriter, dancer
years active	1976–present
label	A&M (1993)East West (1995–2001)Angel/EMI (1997–2007)Manhattan/EMI (2008–present)
website	www.sarah-brightman.com }}

Sarah Brightman (born 14 August 1960) is an English classical crossover soprano, actress, songwriter and dancer. She began her career as a member of the dance troupe Hot Gossip and released several disco singles as a solo performer. In 1981, she made her musical theatre debut in ''Cats'' and met composer Andrew Lloyd Webber, whom she married. She went on to star in several Broadway musicals, including ''The Phantom of the Opera'', where she originated the role of Christine Daaé. The Original London Cast Album of the musical was released in CD format in 1987 and sold over 40 million copies worldwide, making it the biggest-selling cast album of all time.

After retiring from the stage and divorcing Lloyd Webber, Brightman resumed her music career with former Enigma producer Frank Peterson, this time as a classical crossover artist. She is often credited as the creator of this genre and remains among the most prominent performers, with worldwide sales of more than 30 million records and 2 million DVDs. She has established herself as the world's biggest selling soprano of all time.

Her duet with the Italian tenor Andrea Bocelli, "Time To Say Goodbye", topped charts all over Europe and became the highest and fastest selling single of all times in Germany, where it stayed at the top of the charts for fourteen consecutive weeks breaking the all-time sales record, with over 3 million copies sold in the country. and subsequently became an international success with 12 million copies worldwide. She has now collected over 180 gold and platinum sales awards in 38 different countries.

Brightman is the first artist to have been invited twice to perform at the Olympic Games, first at the 1992 Barcelona Olympic Games where she sang "Amigos Para Siempre" with the Spanish tenor Jose Carreras with an estimated global audience of a billion people, and sixteen years later in Beijing, this time with Chinese singer Liu Huan and performing the song "You and Me" to an estimated 4 billion people worldwide.

Apart from music, Brightman has begun a film career, making her major debut in ''Repo! The Genetic Opera'' (2008), a rock opera-musical film directed by Darren Lynn Bousman, And in summer 2009, she completed filming Stephen Evans' "Cosi" or "First Night" in which she plays the role of a conductor, opposite Richard E. Grant. In addition, she formed her own production company, Instinct Films, where her first film is in pre-production.

Brightman ranks among Britain's music millionaires with a fortune of £30m (about US$49m).

Family and early life

Brightman is the oldest of six children of businessman Grenville Geoffrey Brightman (1934–1992) and Paula Brightman (née Hall). She was raised in Little Gaddesden, a village near Berkhamsted, Hertfordshire, England, and lived in John O'Gaddesden House in the village. At age three, she began taking dance classes at the Elmhurst School for Dance in Camberley, Surrey. and went on to perform in local festivals and competitions. At age 11, she successfully auditioned for The Arts Educational School, Tring Park, a boarding school specialising in performing arts. Although Brightman was teased by other students and attempted to run away, she nevertheless remained at the school. Later, she auditioned for the Royal Ballet in London but was rejected. Brightman continued to study dance, particularly jazz, as a pupil of choreographer Arlene Phillips. At 13, on 1973 Brightman made her theatrical debut in the musical I and Albert at the Piccadilly Theatre, London, playing one of Queen Victoria's daughters (Vicki).

In 1977, she was recruited to lead Arlene Phillips' troupe Hot Gossip. More provocative than Pan's People, the group had a disco hit in 1978 with "I Lost My Heart to a Starship Trooper", which sold half a million and reached number six on the UK charts. Hot Gossip released a follow-up single, "The Adventures of the Love Crusader", six months later, but it failed to chart. Brightman, now solo, released more disco singles under Whisper Records, such as "Not Having That!" and a cover of the song "My Boyfriend's Back". In 1979, Brightman appeared on the soundtrack of the movie "The World Is Full of Married Men" and sings the song Madam Hyde.

1981–1989: Stage career

right|thumb|Michael Crawford and Sarah Brightman performing the title song of The Phantom of the Opera at Her Majesty's Theatre. In 1981, Brightman auditioned for the new musical ''Cats'' and was cast as Jemima. In rehearsals she met Andrew Lloyd Webber. After a year in Cats, Brightman took over from Bonnie Langford as Kate in ''The Pirates of Penzance'' at the Drury Lane Theatre, London and appeared as Tara Treetops in ''Masquerade'', a musical based on Kit Williams's book of the same title. On that year she left to play the title role in Charles Strouse's children's opera, ''Nightingale''.

Enticed by a rave review, Webber went to watch her in the show one evening and was flabbergasted. It seemed inconceivable that he could have missed such vocal talent when she'd been in his show for a year. It would be an awakening that would alter more than just his perception of her. It would alter the course of their careers and lives. The two married in 1984, and Brightman appeared in many of Lloyd Webber's subsequent musicals including ''Song and Dance'' and the mass ''Requiem'', the latter written for her.

Scarcely a year later, Brightman's crystalline recording of Pie Jesu rocketed up the charts, selling 25,000 copies on the first day of release and peaking at number 3; no mean feat for a song in Latin. With classical music permeating the Lloyd Webber household (Brightman was in heavy operatic training at the time), Webber was moved to write the Requiem Mass as a tribute to young victims of war. Its Manhattan premiere, starring Placido Domingo and Sarah Brightman, was filmed by both PBS and the BBC for later broadcast. The LP eventually became UK's top selling classical album of the year and earned Brightman a Grammy nomination as Best New Classical Artist."

Brightman starred as Christine Daaé in Lloyd Webber's adaptation of ''The Phantom of the Opera''. The role of Christine was written specifically for her. Lloyd Webber refused to open ''The Phantom of the Opera'' on Broadway unless Brightman played Christine. Initially, the American Actors' Equity Association balked, because of their policy that any non-American performer must be an international star. Lloyd Webber had to cast an American in a leading role in his next West End musical before the Equity would allow Brightman to appear (a promise he kept in casting ''Aspects of Love''). In the end, it was a compromise that more than paid off. Phantom chalked up a staggering $17 million in advance sales prior to opening night on Jan 28, 1988, and generated a public and media frenzy that is unmatched since. The original cast album was the first in British musical history to enter the music charts at number one. Album sales now exceed forty million worldwide and it is the biggest selling cast album of all time, and has gone six times platinum in the US, twice platinum in the UK, nine times platinum in Germany, four times platinum in the Netherlands, 21 times platinum in Korea and 17 times platinum in Taiwan.

After leaving ''Phantom'', she performed in a tour of Lloyd Webber's music throughout England, Canada, and the United States, and performed ''Requiem'' in the Soviet Union. Studio recordings from this time include the single "Anything But Lonely" from ''Aspects of Love'' and two solo albums: the 1988 album ''The Trees They Grow So High'', a compilation of folk songs accompanied by piano, and the 1989 album ''The Songs That Got Away'', a musical theatre compilation of songs cut from shows by composers such as Irving Berlin and Stephen Sondheim, also Brightman sang the song "Make Believe" at the end during the credits of the children's film "Grandpa", Howard Blake wrote the music and lyrics.

By 1990, Brightman and Lloyd Webber separated. After their divorce, Brightman played the lead in Lloyd Webber's ''Aspects'' in London opposite Michael Praed, before transferring to Broadway. Her work in ''Aspects'' notwithstanding, Brightman steeled herself and set forth to find her own footing. Perhaps the most poignant declaration of independence came in the form of her second solo album from this period, an eclectic but personal collection of folk-rock songs that she had hand-picked. It was a departure from musical theatre and indeed, a departure for Webber himself. More tellingly, the album bore a most prescient title: ''As I Came of Age''.

1990s: Solo career

Brightman and José Carreras closed the Barcelona Olympic Games singing the theme song "Amigos Para Siempre" to a worldwide audience of 3 billion people. The song was released on seven-inch vinyl and CD single. The CD single also has the rarer Spanish version of the song. The lyrics, written by Don Black, are in English, except for the title phrase which is repeated in English, Spanish and Catalan.

Her stage career curtailed, Brightman pursued solo recording in Los Angeles. Inspired by the German band Enigma, she requested to work with one of its members. Her request was answered and in 1991 Brightman traveled to Germany to meet producer Frank Peterson. Their first release was ''Dive'' (1993), a water-themed pop album that featured "Captain Nemo", a cover of a song by the Swedish electronica band Dive. The album is considered Brightman's first success as a recording solo artist, receiving her first Gold award for exceptional sales in Canada. ''Fly'' (1995), a pop rock album and her second collaboration with Peterson, propelled Brightman to fame in Europe with the hit "A Question of Honour". The song and the video by Frank Papenbroock introduced at the World Boxing Championship match between Germany's Henry Maske and Graciano Rocchigiani, combined electronic dance music, rock elements, classical strings, and excerpts from the aria "Ebben? ... Ne andrò lontana" from Alfredo Catalani's opera ''La Wally''.

"Time to Say Goodbye" ("''Con te partirò''") was the second Brightman song debuted for Maske, this time at his retirement match. This duet with tenor Andrea Bocelli became an international hit and sold more than 3 million copies in Germany alone, became Germany's best-selling single, and was successful in numerous other countries; the album eventually sold over 12 million copies worldwide. and 4 million worldwide.

In March 1998, her own PBS special, Sarah Brightman: In Concert at the Royal Albert Hall, marked the point when she crossed from Billboard's Top Heatseekers chart to the Billboard 200 chart, with ''Time to Say Goodbye''. The same year, Brightman starred A Christmas in Vienna along Placido Domingo, Helmut Lottie and Riccardo Cocciante singing traditional Christmas carols. On 7 April 1998 she was one of the guest stars in Andrew Lloyd Webber's 50th Birthday Celebration singing ''Hossanaa'' with Dennis O'Neill, Pie Jesu, Phantom of the Opera with Antonio Banderas, All I Ask of You with Michael Ball and Music of the Night. In 1999, she appeared on the album ''I Won't Forget You'' by Princessa, another artist with whom Peterson had worked.

2000–2004: Further international success

Later albums included ''Eden'' (1998) (the title track of which was a cover of a song by Belgian band Hooverphonic), and ''La Luna'' (2000). These albums, unlike ''Time to Say Goodbye'', incorporated more pop music elements. Reviews were mixed – LAUNCHcast deemed ''Eden'' "deliriously sappy", while Allmusic called ''Eden'' "a winning combination" and ''La Luna'' "a solid, stirring collection".

''Eden'' reached #65 on the Billboard 200 charts (certified Gold for selling over 500,000 copies in the United States), and ''La Luna'' peaked at #17 (scanned 873.000 sold in the country). In addition, both albums reached #1 on Billboard's Classical Crossover charts. In 2000, PBS's ''La Luna'' concert, Brightman sang There for Me in a duet with an up and coming star, Josh Groban. At the end of 2001, ''Billboard'' magazine noted Brightman as one of four classical crossover artists from the UK (the others being Charlotte Church, Russell Watson, and bond) with albums on both the Classical Crossover and Billboard 200 charts, a phenomenon which, it said, contributed to a resurgence of UK music in the U.S. after "a historic low" in 1999. In 2000, Brightman sold more records than Elton John and the Rolling Stones becoming America's highest-selling British artist and later North America's top European touring artist.

Brightman ventured into film acting in 2000 when she was part of the cast of the German film Zeit der Erkenntnis, based on Rosamunde Pilcher book.

In 2001, Brightman released Classics, an compilation album of operatic arias and other classical pieces including a solo version of "Time to Say Goodbye", this was released worldwide except Europe, on the other hand, the album peaked at #66 on the Billboard's 200 charts (certified gold for selling over 500.000 copies in the U.S) and reached #2 on Billboard's Classical Crossover charts, ''Entertainment Weekly'' although calling Brightman a "stronger song stylist than a singer", gave the album a grade of B-.

In 2002, Brightman released "The secret" on SASH!'s fourth studio album S4!Sash!. This song was re-released in 2007 as "The secret 2007 (Unreleased)" on SASH!'s sixth album 10th Anniversary.

Her 2003 album ''Harem'' represented another departure: a Middle Eastern-themed album influenced by dance music. On ''Harem'', Brightman collaborated with artists such as Ofra Haza and Iraqi singer Kazem al-Saher. Nigel Kennedy contributed violin tracks to the songs "Free" and "The War is Over", and Jaz Coleman contributed arrangements.

The album peaked at #29 on the Billboard 200 charts (with sales tracked by Nielsen SoundScan figuring at approximately 333,000, or about one-third the total sales of ''La Luna''), #1 on the Billboard Classical Crossover chart, and yielded a #1 dance/club single with the remix of the title track. Some time later, another single from the album (the ballad "Free", cowritten with Sophie B. Hawkins) became a second Top-10 hit on this chart. In March 2004, the album was listed as one of the year's top-selling albums by the label, having moved over 1,1 million copies worldwide in only one year.

The albums ''Eden'', ''La Luna'' and ''Harem'' were accompanied by live world tours which incorporated the theatricality of her stage origins. Brightman acknowledged this in an interview, saying, "They're incredibly complicated...[but also] natural. I know what works, what doesn't work, all the old tricks." In both 2000 and 2001, Brightman was among the top 10 most popular British performers in the U.S., with concert sales grossing $7.2 million from 34 shows in 2000 and over $5 million from 21 shows in 2001.

In 2004 the Harem tour grossed $60 million and sold 800,000 tickets, $15 million and 225,000 sales of which came from the North American leg, although with ticket prices raised 30% from previous tours, average sales per venue were up 65%. In North America, Harem tour promoters Clear Channel Entertainment (now Live Nation) took the unusual step of advertising to theatre subscribers, in an effort to reach fans of Brightman's Broadway performances, and also sold VIP tickets, at $750 each, that included in-stage seating during the concert and a backstage pass. Tour reviews were mixed: one critic from the ''New York Times'' called the La Luna tour "not so much divine but post-human" and "unintentionally disturbing: a beautiful argument of emptiness." In contrast, a reviewer from the ''Boston Globe'' deemed the Harem tour "unique, compelling" and "charmingly effective."

Television specials on PBS were produced for nearly every Brightman album in the U.S.; a director of marketing has credited these as her number-one source of exposure in the country. Indeed, her concert for ''Eden'' was among PBS's most grossing pledge events.

2006–2008: Diva and Symphony

Brightman released a DVD collection of her music videos on 3 October 2006 under the title of ''Diva: The Video Collection''. ''The Singles Collection'' is the accompanying CD, released on the same date. The album marked the first time Brightman has released a greatest hits album in the United States; it reached #1 on the Billboard Classical Crossover chart. ''The Singles Collection'' scanned 36,000 units sold in the United States, which achieved lower sales compared to its previous compilation album Classics. Her other reflective offerings for Europe were The Very Best of 1990-2000 and Classics: The Best of Sarah Brightman. These four compilation albums were intended as a marketing strategy to bridge the gap between Brightman's previous 2003 album ''Harem'' and her next album that would be released on early 2008.

Brightman was one of the artists featured on the January 2007 series of the prime time BBC One show ''Just the Two of Us'', partnered with English cricketer Mark Butcher. The pair finished the competition in third place.

Subsequent appearances include the Concert for Diana in July 2007, where she sang "All I Ask of You" from ''The Phantom of the Opera'' with Josh Groban, Around 15 million people from across the UK watched ''Concert for Diana'' at home, and it was broadcast to over 500 million homes in 140 countries; 7 July 2007 Chinese leg of Live Earth in Shanghai, where she performed four songs ("Nessun Dorma", "La Luna", "Nella Fantasia" and "Time to Say Goodbye") and debuted her single "Running" at the 2007 IAAF Championships in Osaka, Japan on 25 August. She also participated at the 2007 Macy's Thanksgiving Day Parade, where she performed "The Journey Home" on the Jolly Polly Pirate Ship. She recorded a duet with Anne Murray singing "Snowbird" on Murray's 2007 album ''Anne Murray Duets: Friends and Legends''.

On May 2007, Brightman was invited along with Lesley Garrett to sing at the Wembley Stadium in London the anthem'' Abide With Me'' before the FA Cup final between Chelsea and Manchester United.

At a dinner held at The Mansion House on September 10, 2008, His Royal Highness the Prince of Wales highlighted the urgent need for action to halt tropical deforestation. The Prince invited Brightman to sing at the event they hosted to engage the financial community in the task of finding a solution to the problem of making rainforests worth more alive than dead. The music performed was Nella Fantasia (used in the soundtrack of the movie The Mission) and further declared a Hymn to the rainforests.

On 29 January 2008, Brightman released her first album in five years: ''Symphony'', influenced by gothic music. The Title track of the album "Symphony" is a cover of "Symphonie" by the German band Silbermond. In the United States it became Brightman's most successful chart entry and also her highest ranked album on Billboard's "Top 200 Albums". It was also a #1 album on two other Billboard's charts: "Top Internet Albums" and "Top Classical Crossover Albums". The album moved there 32,033 copies in first week, according to Nielsen Soundscan. However, the album's success was short-lived in the United States, with sales declining rapidly in the country and disappointing final results. In contrast, the album debuted in top five positions and received multiple Gold and Platinum awards in Canada, Mexico, Japan, Tawian, China and entered the top twenty across Europe.

Featured on the album were artists Andrea Bocelli, Fernando Lima, and KISS vocalist Paul Stanley, who duets with Brightman on "I Will Be with You", the album version of the theme song to the 10th Pocket Monsters motion picture, ''Dialga VS Palkia VS Darkrai'' (''Pokémon: The Rise of Darkrai''). On 16 January 2008, she also appeared in concert at Vienna’s Stephansdom Cathedral performing songs from her new album. Special guests that sang duets with Brightman include Italian tenor Alessandro Safina, Argentinean countertenor Fernando Lima, and British singer Chris Thompson. Brightman made several appearances on television in the United States to promote ''Symphony'', including ''Fashion on Ice'' on NBC on 12 January, The View on 30 January, Martha on 31 January and Fox and Friends on the Fox News Channel.

She performed two songs, "Pie Jesu" and "There You'll Be", at the United States Memorial Day concert on 25 May 2008 held on the west lawn of the United States Capitol in Washington D.C.. The top-rated show was broadcast live on PBS before a concert audience of 300,000 and millions more at home, as well as to American troops serving around the world on the American Forces Radio and Television Network. Brightman made her feature film debut as Blind Mag in the rock musical film ''Repo! The Genetic Opera'' which was released on 7 November 2008. Brightman was cast in the film at the last minute after the original actress who was cast for the role was dropped. On 8 August 2008, Brightman was honored to sing the Olympic theme song, "You and Me", with Chinese star Liu Huan in both Mandarin and English at the Beijing Olympics opening ceremony. The event appeased the already established supreme popularity and recognition of Brightman in the Asian country. The performance was broadcast to over five billion viewers. In the 26 hours after the performance, "You and Me" was downloaded 5.7 million times.

On 4 November 2008, Brightman released her first holiday album, entitled ''A Winter Symphony'', the album debuted at number #38 on the Billboard Top 200 and scored a number six in the Top Holiday Albums, being the first entry for Brightman on this chart. Once again, A Winter Symphony failed to be a commercial success in the U.S. To accompany ''Symphony'' and ''A Winter Symphony'', Brightman embarked on a tour in Autumn 2008; "The Symphony World Tour" featured new and groundbreaking technology, with virtual and holographic stage sets that had never been seen before in any touring concert production. The tour was listed as one of the top-grossing circuits in North America during the 2008 holiday season.

In addition to the tour, there were other appearances to promote the Christmas album such as the Walt Disney World Very Merry Christmas parade where Brightman sang "Silent Night" airing on ABC in the Christmas Morning. Brightman also performed in the Japanese TV show ''Happy Xmas Show'' (Nippon Television Network) which was aired on NTV(Japan) on 23 December. Filmed at St. Brendan Catholic Church in Los Angeles, the songs performed included Lennon's "Happy Christmas (War is Over)" and "Symphony". Finally, the "I Believe in Father Christmas" music video was premiered on Amazon as part of their Twelve Days of Christmas program. The video was featured on the Music Homepage.

According to an article posted on ''Billboard'', Brightman and EMI parted ways shortly after her ''Symphony: Live in Vienna'' was released. Stated in the cited article, "The buzz about Brightman's exit was fueled earlier this week when her picture disappeared online and Billboard, citing unnamed sources, reported Friday that Brightman, 49, dropped the label.

2009–present: Rise in Latin American and Asian markets

Following her performance at the Beijing Olympics, Brightman was appointed as the Shanghai 2010 World Expo Promotion Ambassador in Britain. In anticipation of the Expo, she launched "Shanghai Week in London", which showcases the city's heritage and culture.

In response to persistent calls for a global release of the Symphony: Live in Vienna concert, EMI Music launched worldwide the PBS special which features Brightman's landmark performance at Vienna’s St. Stephen's Cathedral on January 16th, 2008, in both audio and visual formats. The Symphony — Live in Vienna television special debuted on PBS in March 2008 during the network’s spring pledge drive and aired throughout the month. The album went Gold in Taiwan in a record-breaking ten days.

The music of Brightman was featured in the movie ''Amarufi: Megami no hôshû'' (international title: ''Amalfi: Rewards of the Goddess''), which was a special production to mark Fuji Television's 50th anniversary. The first Japanese movie to be shot entirely on location in Italy. In conjunction with the release of the movie ''Amalfi'', Brightman released only in Japan an album titled Amalfi - Sarah Brightman Love Songs which reached Gold status in the aforementioned country.

Autumn 2009 saw Brightman starting a new concert tour called ''Sarah Brightman In Concert'' covering Latin America with 13 sold-out performances in Mexico, Venezuela, Colombia, Peru, Chile, Argentina, and Brazil. The last venue of the tour, "The Concert of the Pyramid" featured Brightman performing a fancy concert at the archaeological site of Chichen Itza, an UNESCO World Heritage Site and one of the New Seven Wonders of the World.

In November 2009, Brightman was in charge of the main theme song for the NHK's historical drama series ''Saka no Ue no Kumo''. The song's lyrics are entirely in Japanese. Titled "Stand Alone," the song was composed by Joe Hisaishi and written by Kundo Koyama. It was included on the drama's soundtrack album, released on 18 November 2009.

In January 2010, Panasonic Corporation launched the song "Shall Be Done" performed by Brightman at Panasonic's Olympic Pavilion at LiveCity Yaletown, official celebration site of the Vancouver 2010 Winter Games. The song is Panasonic's innovative means of reaching out to the global community with its corporate philosophy and vision. The song is currently being incorporated in creative across all it's marketing channels, including online, advertising and events.

Brightman's career is now expanding into other disciplines. In summer 2009, she completed filming Stephen Evans' "Cosi," in which she plays the role of a conductor, opposite Richard E. Grant. In addition, she formed her own production company, Instinct Films, where her first film is in pre-production.

On 15 September 2010, Brightman appeared on America's Got Talent's finale episode before that season's winner was revealed. The soprano was the celebrity guest duetting with ten year old favorite contestant Jackie Evancho.

Given the increasing popularity of Brightman in Asia, the artist's record company prepared a tour there with 5 gigs in Tokyo alone, followed by presentations on Kanazawa, Nagoya, Osaka. The singer headed to perform in Canada, Macau, South Korea and Ukraine as well.

On 3 November 2010, Brightman was invited to sing at the Tōdai-ji Buddhist temple complex located in the city of Nara, Japan. The temple is a listed UNESCO World Heritage Site as "Historic Monuments of Ancient Nara". The concert was recorded and later broadcasted nationwide by TBS network.

On 27 January 2011 Hunan Broadcasting System, China's second biggest television network after China Central Television (CCTV) invited Brightman to participate in their Spring Festival, analogous celebration to the New Year's celebrations in the Western countries. She sang Scarborough Fair -Brightman's evergreen song in China- and Nessun Dorma. For the first time it was revealed that Brightman charges an average of US$ 150,000 for interpretation in such events as Chinese media remarked. When announcing the arrival of Brightman in their country, local press took the opportunity to mention China's appreciation and gratitude for the singer by her donations for the development of China after the Wenchuan earthquake.

Brightman's popularity continues to rise remarkably in Asia, with high profile appearances and sales. Brightman was South Korea's best-selling international artist of 2010 with her album ''Diva: The Singles Collection'' charting the almost the whole year in the #1 spot ahead Mariah Carey, Michael Jackson, Eminem, among others. The album was released in 2006, but charted again in both 2009 and 2010 when Brightman toured there with the Symphony World Tour and Sarah Brightman In Concert With Orchestra. ''Diva'' was certified three times platinum in South Korea. Also, her digital single "Nella Fantasia" has sold 2 million copies in the country.

Legal action against YouTube

Frank Peterson, a German composer, producer and copyright holder for several of Sarah Brightman's performances, sued YouTube in Germany for allowing Brightman's work to be posted by users. The Hamburg state court has now ruled that Google Inc.'s subsidiary YouTube LLC must pay.

Music and voice

Brightman underwent vocal training first with Elizabeth Hawes, head of the Trinity Music College in London, and later with Ellen Faull of Juilliard. She currently studies with internationally known voice teacher David Romano. She has a three-octave vocal range. According to Brightman, her voice sometimes reaches an F6. However, her highest note sung in public and in studio is the E6 final of "The Phantom of the Opera".

David Caddick, a conductor of ''Phantom'', has stated:

"What is amazing about Sarah is that she has two voices, really. She can produce a pop, contemporary sound, but she can also blossom out into a light soprano. The soprano part of her voice can go up to an E natural above high C. She doesn’t sing it full out, but it is there. Of course, she has to dance while she is singing some of the time, so it’s all the more extraordinary."

She sometimes uses her pop and classical voices in the same song. One example is "Anytime, Anywhere" from ''Eden'', a song based on Albinoni's ''Adagio in G minor''. In the song, she starts out in classical voice, switches to pop voice temporarily, and finishes with her classical voice. Another example is heard in the Lions Gate film ''Repo! The Genetic Opera'', during the songs "Chase The Morning" and "Chromaggia" by her character, Blind Mag.

Brightman's music is generally classified as classical crossover. According to Manhattan Records GM Ian Ralfini, she is largely responsible for the popularity of the genre. In a 2000 interview with ''People'', Brightman dismissed the classical crossover label as "horrible" but stated she understood people's need to categorise music. Her personal influences include '60s and '70s musicians and artists such as David Bowie and Pink Floyd, and she incorporates aspects of genres from pop/rock to classical. Her work has also been compared to that of Madonna, Cher and Celine Dion. The material on her albums ranges from versions of opera arias from composers such as Puccini (on ''Harem'', ''Eden'', and ''Timeless''), to pop songs by artists such as Kansas ("Dust in the Wind" on ''Eden''), Dido ("Here with Me" on ''La Luna''), and Procol Harum ("A Whiter Shade of Pale" on ''La Luna''). She sings in many languages including English, Spanish, French, Latin, German, Italian, Russian, Hindi, Mandarin Chinese and Japanese.

Personal life

At age 18, in 1979, Brightman married Andrew Graham-Stewart, who then managed the German band Tangerine Dream. In 1983, she divorced Graham-Stewart. She met Andrew Lloyd Webber when she performed in ''Cats'', and Lloyd Webber later divorced his first wife, Sarah Hugill, to marry her on 22 March 1984. in Hampshire. Their marriage saw intense media and tabloid scrutiny. Brightman acknowledged the marriage in a 1999 interview as a "difficult time" but also one of much creative output. in Hertfordshire after divorce and financial issues. Later, she experienced an ectopic pregnancy and two miscarriages with Peterson. In an interview with British magazine ''Hello!'', she said motherhood would have been "lovely" but accepted that she would never have a child.

Sarah Brightman has a younger sister named Amelia Brightman, who has collaborated with both Sarah and Gregorian.

Awards

1986 Grammy Nomination, Best Classical Artist, USA 1996 Echo Award nomination: Best Female Artist, Germany

1996 RSH Gold: Best Female Artist, Germany

1997 Echo Award nomination: Best Female Artist

1998 Echo Award: Best Song Time To Say Goodbye

1998 Golden Lion Award: Best Live Performance, Germany

1998 Goldene Europa Award: Best Female Artist, Germany

1998 Guinness Book Entry: Germany’s Best-Selling Single of All Time Time to Say Goodbye

1998 Grammy Taiwan: Best Selling Record Timeless

1998 Unesco Hand-in-Hand Award

1999 Czechoslovakian Grammy: Singer of the Year

1999 Echo Award nomination: Best Female Artist, Germany

1999 The Point Trophy, Dublin-Ireland: Highest-Grossing Ticket Sales One Night in Eden

2000 IFPI Award, Europe: Album sales exceeding one million copies in Europe Timeless

2001 New Age Voice Music Award, USA: Best Vocal Album

2003 Media Control Award, GAS: Biggest Hit of All Time Time To Say Goodbye

2004 Arabian Music Award: Best Collaboration (“The War Is Over” with Kazim Al Saher)

2004 Arabian Music Award: Best Female Artist

2005 New York Film Festival: First Prize, Music Documentary (A Desert Fantasy)

2005 New York Film Festival: Third Prize, Music Video Time to Say Goodbye

2007 The 21st Japan Gold Disc Award 2007: Classic Album of the Year Diva: The Singles Collection

2009 The 23rd Japan Gold Disc Award 2009: Classic Album of the Year A Winter Symphony

2009 The 24th Japan Gold Disc Award 2010: Classic Album of the Year Amalfi - Sarah Brightman Love Songs

2009 Mexico's Lunas del Auditorio nomination: Best Pop-album in foreign language Symphony: Live in Vienna

2010 Mexico's Lunas del Auditorio nomination: Best Pop-artist in foreign language

Golden Key to the city of Chicago

Golden Key to the city of Istanbul

Stage credits

Musicals

''I and Albert'' (as Vicky and street waif), 1973 Picadilly Theatre, London

''Cats'' (as Jemima), 1981 New London Theatre

''The Pirates of Penzance'' (as Kate), 1982

''Masquerade'' (as Tara Treetops), 1982

''Nightingale'' (as Nightingale), 1982 Buxton Festival and the Lyric, Hammersmith

''Song and Dance'' (as the girl), Palace Theatre in London on 28 April 1984

''The Merry Widow'' (as Valencienne), 1985

''The Phantom of the Opera'' (as Christine Daaé), 1986 Her Majesty's Theatre London, 1988 Broadway

''Aspects of Love'' (as Rose Vibert), 1990

Plays

''Trelawny of the Wells'' (as Rose Trelawney), 1992

''Relative Values'' (as Miranda Frayle), 1993 Chichester Festival and Savoy Theatre

''Dangerous Obsession'' (as Sally Driscoll), 1994 Haymarket Theatre, Basingstoke

''The Innocents'' (as Miss Giddens), 1995 Haymarket Theatre, Basingstoke

Filmography

''Granpa'', 1989 animated children's film, singing "Make Believe" over the end credits

''Brokedown Palace'', 1999 singing "Deliver me".

''Zeit der Erkenntnis'', 2000 feature film (Germany), as herself

''Repo! The Genetic Opera'', 2008 feature film, as Blind Mag

''Amarufi: Megami no hôshû'' (''Amalfi: Rewards of the Goddess''), 2009 feature film (Japan), as herself

''First Night (aka Cosi)'', 2010 feature film, as Celia

Selected discography

Studio albums

1988: ''The Trees They Grow So High''

1990: ''As I Came Of Age''

1993: ''Dive''

1995: ''Fly''

1997: ''Time to Say Goodbye''

1998: ''Eden''

2000: ''La Luna''

2003: ''Harem''

2008: ''Symphony''

2008: ''A Winter Symphony''

Albums with Lloyd Webber

1989: ''The Songs That Got Away''

1992: ''Sarah Brightman Sings the Music of Andrew Lloyd Webber''

1995: ''Surrender''

1997: ''The Andrew Lloyd Webber Collection''

2002: ''Encore''

2005: ''Love Changes Everything''

Compilation albums

2001: ''The Very Best of 1990-2000'' & ''Classics''

2006: ''Classics: The Best of Sarah Brightman'' & ''Diva: The Singles Collection''

2009: ''Amalfi - Sarah Brightman Love Songs'' & ''Bella Voce''

|-

Duets

Andrea Bocelli – "Time to Say Goodbye", "Canto Della Terra"

Plácido Domingo – Requiem (Lloyd Webber), "The Closing of the year", "La ci darem la mano", "Love Unspoken", "Time to say goodbye", "La Traviata: Libiamo ne' lieti calici... Brindisi", "Die Lustige Witwe – Lippen Schweigen","The Phantom Of The Opera: All I Ask Of You", "West Side Story: Maria & Tonight"

Sir John Gielgud – "Gus: the Theatre Cat"

José Carreras – "Amigos para Siempre ", "Love Unspoken", "La Traviata: Libiamo ne' lieti calici... Brindisi"", "Subaru"

Michael Crawford – The Phantom of the Opera (Andrew Lloyd Webber)

José Cura – "Just Show Me How to Love You", "There for Me"

Josh Groban – "There for Me", "All I Ask of You"

Andrew Lloyd Webber – "Whistle Down the Wind"

Tom Jones – "Something in the Air"

Antonio Banderas – "The Phantom of the Opera"

Cliff Richard – "All I Ask of You", "Only You"

Gregorian – "Moment of Peace", "Join Me", "Héroes", "When A Child is Born", "Send Me An Angel", "Voyage Voyage", "Don’t Give Up"

Riccardo Cocciante – "Frohlice Weihnacht", "Cantemos Rapaces", "Santa Claus is Coming to Town", "Silent Night"

Kadim Al Sahir – "The War is Over"

Nigel Kennedy – "Free"

Ofra Haza – "Mysterious Days"

Chris Thompson – "How Can Heaven Love Me", "I Will Be With You (Where The Lost Ones Go)", "The Phantom of the Opera"

Fernando Lima – "Pasión", "Ave Maria"

Alessandro Safina – "Sarai Qui", "Canto Della Terra", "The Phantom of the Opera" (Symphony World Tour – México, Asia)

Mario Frangoulis – "Carpe Diem", "Sarai Qui", "Canto Della Terra", "The Phantom of the Opera" (Symphony World Tour – EE.UU., Canadá)

Paul Stanley – "I Will Be With You (Where The Lost Ones Go)"

Liu Huan – "You And Me"

Dj Schiller – "The Smile", "I've Seen it All"

Sash! – "The Secret Still Remains" or "The Secret" & "The Secret (2007)"

Prince Ital Joe Feat. Marky Mark – "Happy People", "Life in the Streets" (Background vocals Sarah Brightman)

Michael Ball – "All I Ask of You", "Seeing is Believing"

Andrzej Lampert – "I Will Be With You (Where The Lost Ones Go)"

Sergey Penkin – "I Will Be With You (Where The Lost Ones Go)"

I Muvrini – "Tu Quieres Volver"

Eric Adams – "Where The Eagles Fly"

Jacky Cheung – "There For Me" * Steve Harley – "The Phantom of the Opera"

Erkan Akin – "Just Show Me How To Love You","The Phantom of the Opera", "Canto della Terra" and "Sarai Qui" in "Sarah Brightman In Concert 2009" a Tour in South America "Latin American Tour".

Paul Miles-Kingston – "Pie Jesu"

Connar Burrowes: "Pie Jesu" (This Is Your Life: Andrew Lloyd Webber, 1994)

Adam Clack: "Pie Jesu" (In Concert "At The Royal Albert Hall" – 1997)

Ben De'Ath: "Pie Jesu" (The Andrew Lloyd Webber Celebration, 1998)

Andrew Swait: "Pie Jesu" (The Classical Brit Awards – 8 May 2008)

Eric Scott Kincaid – "The Phantom of the Opera"

David Malek – "The Phantom of the Opera: All I Ask Of You"

Mark Butcher – "Take The Weather With You", "Heroes", "Leaving On A Jet Plane", "Let's Face The Music And Dance", "Music Of The Night", " Ain't No Sunshine", "The Rose", "Moon River"

Princessa – "Calling You" (1996) (Background vocals Sarah Brightman)

Anne Murray – "Snowbird"

Betty Buckley – "Memory" (Kennedy Center Honor – 3 December 2006)

Lesley Garrett – "Abide with me" (FA Cup Final 19 May 2007)

Jackie Evancho – "Time To Say Goodbye" - (America's Got Talent - 15 September 2010)

This Duets was announced but were never made:

Florent Pagny – "Just Show Me How To Love You"

Biondo – "I Will Be With You (Where The Lost Ones Go)"

Tours

"A Timeless Evening With Sarah Brightman" (UK and Germany) 1997

"One Night In Eden Tour" 1999 (Worldwide)

"La Luna World Tour" 2000–2001 (Worldwide)

"Harem World Tour" 2004–2005 (2004: Worldwide, 2005: Mini-Tour in Japan)

"The Symphony World Tour" 2008–2009 (America & Asia)

"Sarah Brightman In Concert" October 2009 (Latin America)

"Sarah Brightman In Concert With Orchestra" October 2010 (Japan, Korea and Macau)

See also

List of artists who reached number one on the U.S. dance chart

List of number-one dance hits (United States)

List of Operatic Pop artists

References

External links

classical-crossover soprano

Category:1960 births Category:Living people Category:People educated at the Arts Educational Schools Category:English dancers Category:English female singers Category:English-language singers Category:English musical theatre actors Category:English rock singers Category:English singer-songwriters Category:English sopranos Category:English stage actors Category:Female rock singers Category:French-language singers Category:German-language singers Category:Italian-language singers Category:Opera crossover singers Category:People from Berkhamsted Category:Spanish-language singers Category:People educated at Tring Park School for the Performing Arts

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Coordinates	57°37′″N39°51′″N
name	Carl Sagan
birth date	November 09, 1934
birth place	Brooklyn, New York City, U.S.
residence	United States
nationality	American
death date	December 20, 1996
death place	Seattle, Washington, U.S.
death cause	Pneumonia
education	Rahway High School
alma mater	University of Chicago,Cornell University
field	Astronomy, Astrophysics, Cosmology, Astrobiology, Space science, Planetary science
work institutions	Cornell University Harvard University Smithsonian Astrophysical Observatory University of California, Berkeley
alma mater	University of Chicago (B.A.), (B.Sc.), (M.Sc.), (Ph.D.)
known for	Search for Extra-Terrestrial Intelligence (SETI) ''Cosmos: A Personal Voyage'' ''Cosmos'' Voyager Golden Record Pioneer plaque ''Contact'' ''Pale Blue Dot''
prizes	Oersted Medal (1990) NASA Distinguished Public Service Medal (twice) Pulitzer Prize for General Non-Fiction (1978) National Academy of Sciences Public Welfare Medal (1994) }}

Carl Edward Sagan () (November 9, 1934 December 20, 1996) was an American astronomer, astrophysicist, cosmologist, author, science popularizer, and science communicator in the space and natural sciences. During his lifetime, he published more than 600 scientific papers and popular articles and was author, co-author, or editor of more than 20 books. In his works, he advocated skeptical inquiry and the scientific method. He pioneered exobiology and promoted the Search for Extra-Terrestrial Intelligence (SETI).

Sagan became world-famous for his popular science books and for the award-winning 1980 television series ''Cosmos: A Personal Voyage'', which he narrated and co-wrote. A book to accompany the program was also published. Sagan also wrote the novel ''Contact'', the basis for the 1997 film of the same name.

Early life

Carl Sagan was born in Brooklyn, New York City, to a Ukrainian Jewish family. His father, Sam Sagan, was an immigrant garment worker from Kamenets-Podolsk, Ukraine; his mother, Rachel Molly Gruber, a housewife. Carl was named in honor of Rachel's biological mother, Chaiya Clara, in Sagan's words, "the mother she never knew." Sagan graduated from Rahway High School in Rahway, New Jersey, in 1951.

He had one sister, Carol, and the family lived in a modest apartment near the Atlantic Ocean, in Bensonhurst, a Brooklyn neighborhood. According to Sagan, they were Reform Jews, the most liberal of the three main Jewish groups. Both Sagan and his sister agree that their father was not especially religious, but that their mother "definitely believed in God, and was active in the temple ... and served only Kosher meat." During the height of the Depression, his father had to accept a job as a theater usher.

According to biographer Keay Davidson, Sagan's "inner war" was a result of his close relations with both his parents, who were in many ways "opposites." Sagan traced his later analytical urges to his mother, a woman who had known "extreme poverty as a child," and had grown up almost homeless in New York City during World War I and the 1920s. She had her own intellectual ambitions as a young woman, but they were blocked by social restrictions, because of her poverty, her being a woman and wife, and her Jewish religion. Davidson notes that she therefore "worshiped her only son, Carl. He would fulfill her unfulfilled dreams."

However, his "sense of wonder" came from his father, who was a "quiet and soft-hearted escapee from the Czar." In his free time, he gave apples to the poor, or helped soothe labor-management tensions within New York's "tumultuous" garment industry. Although he was "awed" by Carl's "brilliance, his boyish chatter about stars and dinosaurs," he took his son's inquisitiveness in stride, as part of his growing up. In his later years as a writer and scientist, Sagan would often draw on his childhood memories to illustrate scientific points, as he did in his book, ''Shadows of Forgotten Ancestors''. Sagan describes his parents' influence on his later thinking:

:''My parents were not scientists. They knew almost nothing about science. But in introducing me simultaneously to skepticism and to wonder, they taught me the two uneasily cohabiting modes of thought that are central to the scientific method.''

1939 World's Fair

Sagan recalls that one of his best experiences was when he was four or five years old, his parents took him to the 1939 New York World's Fair. The exhibits became a turning point in his life. He later recalled the moving map of the "America of Tomorrow" exhibit: "It showed beautiful highways and cloverleaves and little General Motors cars all carrying people to skyscrapers, buildings with lovely spires, flying buttresses — and it looked great!" At other exhibits, he remembered how a flashlight that shined on a photoelectric cell created a cracking sound, and how the sound from a tuning fork became a wave on an oscilloscope. He also witnessed the future media technology that would replace radio: television. Sagan wrote:

:''Plainly, the world held wonders of a kind I had never guessed. How could a tone become a picture and light become a noise?''

He also saw one of the Fair's most publicized events, the burial of a time capsule at Flushing Meadows, which contained mementos of the 1930s to be recovered by Earth's descendants in a future millennium. "The time capsule thrilled Carl," writes Davidson. As an adult, Sagan and his colleagues created similar time capsules, but ones that would be sent out into the galaxy. These were the Pioneer plaque and the ''Voyager Golden Record'' records, all of which were spinoffs of Sagan's memories of the World Fair.

World War II

During World War II, Sagan's family worried about the fate of their European relatives. Sagan, however, was generally unaware of the details of the ongoing war. He writes, "Sure, we had relatives who were caught up in the Holocaust. Hitler was not a popular fellow in our household ... But on the other hand, I was fairly insulated from the horrors of the war." His sister, Carol, said that their mother "above all wanted to protect Carl ... She had an extraordinarily difficult time dealing with World War II and the Holocaust." Sagan's book, ''The Demon-Haunted World'' (1996), included his memories of this conflicted period in his life, where his family dealt with the realities of the war in Europe, but tried to prevent it from undermining his optimistic spirit.

Inquisitiveness about nature

Soon after entering elementary school, he began to express a strong inquisitiveness about nature. Sagan recalled taking his first trips to the public library alone, at the age of five, when his mother got him a library card. He wanted to learn what stars were, since none of his friends or their parents could give him a clear answer: :''I went to the librarian and asked for a book about stars ... And the answer was stunning. It was that the Sun was a star but really close. The stars were suns, but so far away they were just little points of light ... The scale of the universe suddenly opened up to me. It was a kind of religious experience. There was a magnificence to it, a grandeur, a scale which has never left me. Never ever left me.''

About the time he was six or seven, he and a close friend took trips to the American Museum of Natural History in New York City. While there, they went to the Hayden Planetarium and walked around the museum's exhibits of space objects, such as meteorites, and displays of dinosaurs and animals in natural settings. Sagan writes about those visits: :''I was transfixed by the dioramas — lifelike representations of animals and their habitats all over the world. Penguins on the dimly lit Antarctic ice; ... a family of gorillas, the male beating his chest, ... an American grizzly bear standing on his hind legs, ten or twelve feet tall, and staring me right in the eye.''

His parents helped nurture his growing interest in science by buying him chemistry sets and reading materials. His interest in space, however, was his primary focus, especially after reading science fiction stories by writers such as Edgar Rice Burroughs, which stirred his imagination about life on other planets, such as Mars. According to biographer Ray Spangenburg, these early years as Sagan tried to understand the mysteries of the planets, became a "driving force in his life, a continual spark to his intellect, and a quest that would never be forgotten."

Education and scientific career

He attended the University of Chicago, where he participated in the Ryerson Astronomical Society, received a bachelor of arts with general and special honors in 1954, a bachelor of science in 1955, and a master of science in physics in 1956 before earning a PhD in astronomy and astrophysics in 1960. During his time as an undergraduate, Sagan worked in the laboratory of the geneticist H. J. Muller. From 1960 to 1962 Sagan was a Miller Fellow at the University of California, Berkeley. From 1962 to 1968, he worked at the Smithsonian Astrophysical Observatory in Cambridge, Massachusetts.

Sagan lectured and did research at Harvard University until 1968, when he moved to Cornell University in Ithaca, New York. He became a full Professor at Cornell in 1971, and he directed the Laboratory for Planetary Studies there. From 1972 to 1981, Sagan was the Associate Director of the Center for Radio Physics and Space Research at Cornell.

Sagan was associated with the American space program from its inception. From the 1950s onward, he worked as an advisor to NASA, where one of his duties included briefing the Apollo astronauts before their flights to the Moon. Sagan contributed to many of the robotic spacecraft missions that explored the solar system, arranging experiments on many of the expeditions. He conceived the idea of adding an unalterable and universal message on spacecraft destined to leave the solar system that could potentially be understood by any extraterrestrial intelligence that might find it. Sagan assembled the first physical message that was sent into space: a gold-anodized plaque, attached to the space probe Pioneer 10, launched in 1972. Pioneer 11, also carrying another copy of the plaque, was launched the following year. He continued to refine his designs; the most elaborate message he helped to develop and assemble was the Voyager Golden Record that was sent out with the Voyager space probes in 1977. Sagan often challenged the decisions to fund the Space Shuttle and Space Station at the expense of further robotic missions.

Sagan taught a course on critical thinking at Cornell University until he died in 1996 from pneumonia, a few months after finding that he was in remission of myelodysplastic syndrome.

Scientific achievements

Sagan's contributions were central to the discovery of the high surface temperatures of the planet Venus. In the early 1960s no one knew for certain the basic conditions of that planet's surface, and Sagan listed the possibilities in a report later depicted for popularization in a Time-Life book, ''Planets''. His own view was that Venus was dry and very hot as opposed to the balmy paradise others had imagined. He had investigated radio emissions from Venus and concluded that there was a surface temperature of . As a visiting scientist to NASA's Jet Propulsion Laboratory, he contributed to the first Mariner missions to Venus, working on the design and management of the project. Mariner 2 confirmed his conclusions on the surface conditions of Venus in 1962.

Sagan was among the first to hypothesize that Saturn's moon Titan might possess oceans of liquid compounds on its surface and that Jupiter's moon Europa might possess subsurface oceans of water. This would make Europa potentially habitable for life. Europa's subsurface ocean of water was later indirectly confirmed by the spacecraft Galileo. Sagan also helped solve the mystery of the reddish haze seen on Titan, revealing that it is composed of complex organic molecules constantly raining down onto the moon's surface.

He further contributed insights regarding the atmospheres of Venus and Jupiter as well as seasonal changes on Mars. Sagan established that the atmosphere of Venus is extremely hot and dense with pressures increasing steadily all the way down to the surface. He also perceived global warming as a growing, man-made danger and likened it to the natural development of Venus into a hot, life-hostile planet through a kind of runaway greenhouse effect. Sagan and his Cornell colleague Edwin Ernest Salpeter speculated about life in Jupiter's clouds, given the planet's dense atmospheric composition rich in organic molecules. He studied the observed color variations on Mars' surface and concluded that they were not seasonal or vegetational changes as most believed but shifts in surface dust caused by windstorms.

Sagan is best known, however, for his research on the possibilities of extraterrestrial life, including experimental demonstration of the production of amino acids from basic chemicals by radiation.

He is also the 1994 recipient of the Public Welfare Medal, the highest award of the National Academy of Sciences for "distinguished contributions in the application of science to the public welfare." He was denied membership in the Academy, reportedly because his media activities made him unpopular with many other scientists.

Sagan's ability to convey his ideas allowed many people to better understand the cosmos — simultaneously emphasizing the value and worthiness of the human race, and the relative insignificance of the Earth in comparison to the universe. He delivered the 1977 series of Royal Institution Christmas Lectures in London. He hosted and, with Ann Druyan, co-wrote and co-produced the highly popular thirteen-part PBS television series ''Cosmos: A Personal Voyage'' modeled on Jacob Bronowski's ''The Ascent of Man''.

Sagan was a proponent of the search for extraterrestrial life. He urged the scientific community to listen with radio telescopes for signals from intelligent extraterrestrial life-forms. So persuasive was he that by 1982 he was able to get a petition advocating SETI published in the journal ''Science'' and signed by 70 scientists including seven Nobel Prize winners. This was a tremendous turnaround in the respectability of this controversial field. Sagan also helped Dr. Frank Drake write the Arecibo message, a radio message beamed into space from the Arecibo radio telescope on November 16, 1974, aimed at informing extraterrestrials about Earth.

Sagan was chief technology officer of the professional planetary research journal ''Icarus'' for twelve years. He co-founded the ''Planetary Society'', the largest space-interest group in the world, with over 100,000 members in more than 149 countries, and was a member of the SETI Institute Board of Trustees. Sagan served as Chairman of the Division for Planetary Science of the American Astronomical Society, as President of the Planetology Section of the American Geophysical Union, and as Chairman of the Astronomy Section of the American Association for the Advancement of Science.

At the height of the Cold War, Sagan became involved in public awareness efforts for the effects of nuclear war when a mathematical climate model suggested that a substantial nuclear exchange could upset the delicate balance of life on Earth. He was one of five authors — the "S" of the "TTAPS" report as the research paper came to be known. He eventually co-authored the scientific paper hypothesizing a global nuclear winter following nuclear war. He also co-authored the book ''A Path Where No Man Thought: Nuclear Winter and the End of the Arms Race'', a comprehensive examination of the phenomenon of nuclear winter.

''Cosmos'' covered a wide range of scientific subjects including the origin of life and a perspective of our place in the universe. The series was first broadcast by the Public Broadcasting Service in 1980, winning an Emmy and a Peabody Award. It has been broadcast in more than 60 countries and seen by over 500 million people, making it the most widely watched PBS program in history. In addition, ''Time'' magazine ran a cover story about Sagan soon after the show broadcast, referring to him as "creator, chief writer and host-narrator of the new public television series Cosmos, [and] takes the controls of his fantasy spaceship."

Sagan also wrote books to popularize science, such as ''Cosmos'', which reflected and expanded upon some of the themes of ''A Personal Voyage'', and became the best-selling science book ever published in English; ''The Dragons of Eden: Speculations on the Evolution of Human Intelligence'', which won a Pulitzer Prize; and ''Broca's Brain: Reflections on the Romance of Science''. Sagan also wrote the best-selling science fiction novel ''Contact'' in 1985, based on a film treatment he wrote with his wife in 1979, but he did not live to see the book's 1997 motion picture adaptation, which starred Jodie Foster and won the 1998 Hugo Award for Best Dramatic Adaption.

thumb|left|Pale Blue Dot: Earth is a bright pixel when photographed from "Voyager 1" six billion kilometers out (past Pluto). Sagan encouraged NASA to generate this image. He wrote a sequel to ''Cosmos,'' ''Pale Blue Dot: A Vision of the Human Future in Space'', which was selected as a notable book of 1995 by ''The New York Times''. He appeared on PBS' Charlie Rose program in January 1995. Sagan also wrote an introduction for the bestselling book by Stephen Hawking, ''A Brief History of Time''. Sagan was also known for his popularization of science, his efforts to increase scientific understanding among the general public, and his positions in favor of scientific skepticism and against pseudoscience, such as his debunking of the Betty and Barney Hill abduction. To mark the tenth anniversary of Sagan's passing, David Morrison, a former student of Sagan, recalled "Sagan's immense contributions to planetary research, the public understanding of science, and the skeptical movement" in ''Skeptical Inquirer''.

Sagan hypothesized in January 1991 that enough smoke from the 1991 Kuwaiti oil fires "might get so high as to disrupt agriculture in much of South Asia ..." He later conceded in ''The Demon-Haunted World'' that this prediction did not turn out to be correct: "it ''was'' pitch black at noon and temperatures dropped 4°–6°C over the Persian Gulf, but not much smoke reached stratospheric altitudes and Asia was spared." A 2007 study noted that modern computer models have been applied to the Kuwait oil fires, finding that individual smoke plumes are not able to loft smoke into the stratosphere, but that smoke from fires covering a large area, like some forest fires or the burning of cities that would be expected to follow a nuclear strike, would loft significant amounts of smoke into the stratosphere.

In his later years Sagan advocated the creation of an organized search for near Earth objects that might impact the Earth. When others suggested creating large nuclear bombs that could be used to alter the orbit of a NEO that was predicted to hit the Earth, Sagan proposed the Deflection Dilemma: If we create the ability to deflect an asteroid away from the Earth, then we also create the ability to deflect an asteroid towards the Earth — providing an evil power with a true doomsday bomb.

Billions and billions

From ''Cosmos'' and his frequent appearances on ''The Tonight Show Starring Johnny Carson'', Sagan became associated with the catchphrase "billions and billions". Sagan stated that he never actually used the phrase in the ''Cosmos'' series. The closest that he ever came was in the book ''Cosmos'', where he talked of "billions ''upon'' billions": }}

However, his frequent use of the word ''billions'', and distinctive delivery emphasizing the "b" (which he did intentionally, in place of more cumbersome alternatives such as "billions with a 'b'", in order to distinguish the word from "millions" in viewers' minds), made him a favorite target of comic performers, including Johnny Carson, Gary Kroeger, Mike Myers, Bronson Pinchot, Penn Jillette, Harry Shearer, and others. Frank Zappa satirized the line in the song "Be In My Video", noting as well "atomic light". Sagan took this all in good humor, and his final book was entitled ''Billions and Billions'' which opened with a tongue-in-cheek discussion of this catchphrase, observing that Carson himself was an amateur astronomer and that Carson's comic caricature often included real science.

The popular perception of his characterization of large cosmic quantities continued to be a sense of wonderment at the vastness of space and time, as in his phrase "The total number of stars in the Universe is larger than all the grains of sand on all the beaches of the planet Earth." However, this famous saying was widely misunderstood, as he was in fact referring to the world being at a "critical branch point in history" as in the following quote from ''Cosmos: A Personal Voyage'', Episode 8: "Journeys in Space and Time":

"Those worlds in space are as countless as all the grains of sand on all the beaches of the earth. Each of those worlds is as real as ours and every one of them is a succession of incidents, events, occurrences which influence its future. Countless worlds, numberless moments, an immensity of space and time. And our small planet at this moment, here we face a critical branch point in history: what we do with our world, right now, will propagate down through the centuries and powerfully affect the destiny of our descendants. It is well within our power to destroy our civilization and perhaps our species as well."

Sagan units

As a humorous tribute to him, a ''sagan'' has been defined as a unit of measurement equal to at least four billion, since the lower bound of a number conforming to the constraint of ''billions and billions'' must be two billion plus two billion.

Social concerns

Sagan believed that the Drake equation, on substitution of reasonable estimates, suggested that a large number of extraterrestrial civilizations would form, but that the lack of evidence of such civilizations highlighted by the Fermi paradox suggests technological civilizations tend to destroy themselves rather quickly. This stimulated his interest in identifying and publicizing ways that humanity could destroy itself, with the hope of avoiding such a cataclysm and eventually becoming a spacefaring species. Sagan's deep concern regarding the potential destruction of human civilization in a nuclear holocaust was conveyed in a memorable cinematic sequence in the final episode of ''Cosmos'', called "Who Speaks for Earth?" Sagan had already resigned from the Air Force Scientific Advisory Board and voluntarily surrendered his top secret clearance in protest over the Vietnam War. Following his marriage to his third wife (novelist Ann Druyan) in June 1981, Sagan became more politically active — particularly in opposing escalation of the nuclear arms race under President Ronald Reagan.

In March 1983, Reagan announced the Strategic Defense Initiative — a multi-billion dollar project to develop a comprehensive defense against attack by nuclear missiles, which was quickly dubbed the "Star Wars" program. Sagan spoke out against the project, arguing that it was technically impossible to develop a system with the level of perfection required, and far more expensive to build than for an enemy to defeat through decoys and other means — and that its construction would seriously destabilize the nuclear balance between the United States and the Soviet Union, making further progress toward nuclear disarmament impossible.

When Soviet leader Mikhail Gorbachev declared a unilateral moratorium on the testing of nuclear weapons, which would begin on August 6, 1985 — the 40th anniversary of the atomic bombing of Hiroshima — the Reagan administration dismissed the dramatic move as nothing more than propaganda, and refused to follow suit. In response, American anti-nuclear and peace activists staged a series of protest actions at the Nevada Test Site, beginning on Easter Sunday in 1986 and continuing through 1987. Hundreds of people were arrested, including Sagan, who was arrested on two separate occasions as he climbed over a chain-link fence at the test site.

Personal life and beliefs

Sagan was married three times — in 1957, to biologist Lynn Margulis, mother of Dorion Sagan and Jeremy Sagan; in 1968, to artist Linda Salzman, mother of Nick Sagan; and in 1981, to author Ann Druyan, mother of Alexandra Rachel (Sasha) Sagan and Samuel Democritus Sagan. His marriage to Druyan continued until his death in 1996.

Isaac Asimov described Sagan as one of only two people he ever met whose intellect surpassed his own. The other, he claimed, was the computer scientist and artificial intelligence expert Marvin Minsky.

Sagan wrote frequently about religion and the relationship between religion and science, expressing his skepticism about the conventional conceptualization of God as a sapient being. For example:

Some people think God is an outsized, light-skinned male with a long white beard, sitting on a throne somewhere up there in the sky, busily tallying the fall of every sparrow. Others — for example Baruch Spinoza and Albert Einstein — considered God to be essentially the sum total of the physical laws which describe the universe. I do not know of any compelling evidence for anthropomorphic patriarchs controlling human destiny from some hidden celestial vantage point, but it would be madness to deny the existence of physical laws.

In another description of his view of God, Sagan emphatically writes:

The idea that God is an oversized white male with a flowing beard who sits in the sky and tallies the fall of every sparrow is ludicrous. But if by God one means the set of physical laws that govern the universe, then clearly there is such a God. This God is emotionally unsatisfying... it does not make much sense to pray to the law of gravity.

Despite his criticism of religion, Sagan denied that he was an atheist, saying "An atheist has to know a lot more than I know. An atheist is someone who knows there is no god. By some definitions atheism is very stupid." In reply to a question in 1996 about his religious beliefs, Sagan answered, "I'm agnostic." Sagan maintained that the idea of a creator of the universe was difficult to prove or disprove and that the only conceivable scientific discovery that could challenge it would be an infinitely old universe. According to his last wife, Ann Druyan, he was not a believer: }}

In 2006, Ann Druyan edited Sagan's 1985 Glasgow ''Gifford Lectures in Natural Theology'' into a book, ''The Varieties of Scientific Experience: A Personal View of the Search for God'', in which he elaborates on his views of divinity in the natural world. Sagan is also widely regarded as a freethinker or skeptic; one of his most famous quotations, in ''Cosmos'', was, "Extraordinary claims require extraordinary evidence" (called the "Sagan Standard" by some). This was based on a nearly identical statement by fellow founder of the Committee for the Scientific Investigation of Claims of the Paranormal, Marcello Truzzi, "An extraordinary claim requires extraordinary proof." This idea originated with Pierre-Simon Laplace (1749–1827), a French mathematician and astronomer who said, "The weight of evidence for an extraordinary claim must be proportioned to its strangeness."

Late in his life, Sagan's books elaborated on his skeptical, naturalistic view of the world. In ''The Demon-Haunted World: Science as a Candle in the Dark'', he presented tools for testing arguments and detecting fallacious or fraudulent ones, essentially advocating wide use of critical thinking and the scientific method. The compilation ''Billions and Billions: Thoughts on Life and Death at the Brink of the Millennium'', published in 1997 after Sagan's death, contains essays written by Sagan, such as his views on abortion, and his widow Ann Druyan's account of his death as a skeptic, agnostic, and freethinker.

Sagan warned against humans' tendency towards anthropocentrism. He was the faculty adviser for the Cornell Students for the Ethical Treatment of Animals. In the ''Cosmos'' chapter "Blues For a Red Planet", Sagan wrote, "If there is life on Mars, I believe we should do nothing with Mars. Mars then belongs to the Martians, even if the Martians are only microbes."

Sagan was a user and advocate of marijuana. Under the pseudonym "Mr. X", he contributed an essay about smoking cannabis to the 1971 book ''Marihuana Reconsidered''. The essay explained that marijuana use had helped to inspire some of Sagan's works and enhance sensual and intellectual experiences. After Sagan's death, his friend Lester Grinspoon disclosed this information to Sagan's biographer, Keay Davidson. The publishing of the biography, ''Carl Sagan: A Life'', in 1999 brought media attention to this aspect of Sagan's life. Not long after his death, widow Ann Druyan had gone on to preside over the board of directors of NORML, a foundation dedicated to reforming cannabis laws.

In 1994, engineers at Apple Computer code-named the Power Macintosh 7100 "Carl Sagan" in the hope that Apple would make "billions and billions" with the sale of the PowerMac 7100. The name was only used internally, but Sagan was concerned that it would become a product endorsement and sent Apple a cease and desist letter. Apple complied, but engineers retaliated by changing the internal codename to "BHA" for "Butt-Head Astronomer". Sagan then sued Apple for libel, a form of defamation, in federal court. The court granted Apple's motion to dismiss Sagan's claims and opined in dicta that a reader aware of the context would understand Apple was "clearly attempting to retaliate in a humorous and satirical way", and that "It strains reason to conclude that Defendant was attempting to criticize Plaintiff's reputation or competency as an astronomer. One does not seriously attack the expertise of a scientist using the undefined phrase 'butt-head'." Sagan then sued for Apple's original use of his name and likeness, but again lost. Sagan appealed the ruling. In November 1995, an out of court settlement was reached and Apple's office of trademarks and patents released a conciliatory statement that "Apple has always had great respect for Dr. Sagan. It was never Apple's intention to cause Dr. Sagan or his family any embarrassment or concern."

Sagan briefly served as an adviser on Stanley Kubrick's film ''2001: A Space Odyssey''. Sagan proposed that the film would suggest, rather than depict, extraterrestrial superintelligence.

Sagan and UFOs

Sagan had some interest in UFO reports from at least 1964 when he had several conversations on the subject with Jacques Vallee. Though quite skeptical of any extraordinary answer to the UFO question, Sagan thought scientists should study the phenomenon, at least because there was widespread public interest in UFO reports.

Stuart Appelle notes that Sagan "wrote frequently on what he perceived as the logical and empirical fallacies regarding UFOs and the abduction experience. Sagan rejected an extraterrestrial explanation for the phenomenon but felt there were both empirical and pedagogical benefits for examining UFO reports and that the subject was, therefore, a legitimate topic of study."

In 1966, Sagan was a member of the Ad Hoc Committee to Review Project Blue Book, the U.S. Air Force's UFO investigation project. The committee concluded Blue Book had been lacking as a scientific study, and recommended a university-based project to give the UFO phenomenon closer scientific scrutiny. The result was the Condon Committee (1966–1968), led by physicist Edward Condon, and in their final report they formally concluded that UFOs, regardless of what any of them actually were, did not behave in a manner consistent with a threat to national security.

Ron Westrum writes that "The high point of Sagan's treatment of the UFO question was the AAAS's symposium in 1969. A wide range of educated opinions on the subject were offered by participants, including not only proponents such as James McDonald and J. Allen Hynek but also skeptics like astronomers William Hartmann and Donald Menzel. The roster of speakers was balanced, and it is to Sagan's credit that this event was presented in spite of pressure from Edward Condon". With physicist Thornton Page, Sagan edited the lectures and discussions given at the symposium; these were published in 1972 as ''UFOs: A Scientific Debate''. Some of Sagan's many books examine UFOs (as did one episode of ''Cosmos'') and he claimed a religious undercurrent to the phenomenon.

Sagan again revealed his views on interstellar travel in his 1980 ''Cosmos'' series. In one of his last written works, Sagan argued that the chances of extraterrestrial spacecraft visiting Earth are vanishingly small. However, Sagan did think it plausible that Cold War concerns contributed to governments misleading their citizens about UFOs, and that "some UFO reports and analyses, and perhaps voluminous files, have been made inaccessible to the public which pays the bills ... It's time for the files to be declassified and made generally available." He cautioned against jumping to conclusions about suppressed UFO data and stressed that there was no strong evidence that aliens were visiting the Earth either in the past or present.

Death

After a long and difficult fight with myelodysplasia, which included three bone marrow transplants, Sagan died of pneumonia at the age of 62 at the Fred Hutchinson Cancer Research Center in Seattle, Washington, on December 20, 1996. He was buried at Lakeview Cemetery in Ithaca, New York.

Posthumous recognition

The 1997 movie ''Contact'', based on Sagan's novel of the same name and finished after his death, ends with the dedication "For Carl".

In 1997, the Sagan Planet Walk was opened in Ithaca New York. It is a walking scale model of the solar system, extending 1.2 km from the center of The Commons in downtown Ithaca, NY, to the Sciencenter, a hands-on museum. The exhibition was created in memory of Carl Sagan, who was an Ithaca resident and Cornell Professor. Professor Sagan had been a founding member of the museum's advisory board.

The landing site of the unmanned Mars Pathfinder spacecraft was renamed the ''Carl Sagan Memorial Station'' on July 5, 1997.

Sagan's son, Nick Sagan, wrote several episodes in the ''Star Trek'' franchise. In an episode of ''Star Trek: Enterprise'' entitled "Terra Prime", a quick shot is shown of the relic rover Sojourner, part of the Mars Pathfinder mission, placed by a historical marker at Carl Sagan Memorial Station on the Martian surface. The marker displays a quote from Sagan: "Whatever the reason you're on Mars, I'm glad you're there, and I wish I was with you." Sagan's student Steve Squyres led the team that landed the Spirit Rover and Opportunity Rover successfully on Mars in 2004.

Asteroid 2709 Sagan is also named in his honor.

On November 9, 2001, on what would have been Sagan's 67th birthday, the NASA Ames Research Center dedicated the site for the Carl Sagan Center for the Study of Life in the Cosmos. "Carl was an incredible visionary, and now his legacy can be preserved and advanced by a 21st century research and education laboratory committed to enhancing our understanding of life in the universe and furthering the cause of space exploration for all time", said NASA Administrator Daniel Goldin. Ann Druyan was at the Center as it opened its doors on October 22, 2006.

Sagan has at least three awards named in his honor:

The Carl Sagan Memorial Award presented jointly since 1997 by the American Astronomical Society (AAS) and the Planetary Society,

The Carl Sagan Medal for Excellence in Public Communication in Planetary Science presented since 1998 by the American Astronomical Society's Division for Planetary Sciences (AAS/DPS) for outstanding communication by an active planetary scientist to the general public — Carl Sagan was one of the original organizing committee members of the DPS, and

The Carl Sagan Award for Public Understanding of Science presented by the Council of Scientific Society Presidents (CSSP) — Sagan himself was the first recipient of the CSSP award in 1993. In 2006, the Carl Sagan Medal was awarded to astrobiologist and author David Grinspoon, the son of Sagan's friend Lester Grinspoon.

On December 20, 2006, the tenth anniversary of Sagan's death, a blogger, Joel Schlosberg, organized a Carl Sagan "blog-a-thon" to commemorate Sagan's death, and the idea was supported by Nick Sagan. Many members of the blogging community participated.

August 2007 the Independent Investigative Group IIG awarded Sagan posthumously a Lifetime Achievement Award. This honor has also been awarded to Harry Houdini and James Randi.

In 2008, Benn Jordan, also known as "The Flashbulb", released the album ''Pale Blue Dot: A Tribute to Carl Sagan''.

In 2009, clips from Carl Sagan's ''Cosmos'' were used as the basis for ''A Glorious Dawn'', the first video produced for the Symphony of Science, an educational music video production by composer John Boswell. Musician Jack White later released this song as a vinyl single under his record label Third Man Records. Additional clips were used in several followup videos which featured Sagan alongside other noted scientists and proponents of rational thinking, such as Richard Dawkins, Richard Feynman, Brian Greene, Lawrence M. Krauss, Bill Nye, and Neil deGrasse Tyson.

In 2010, the 76th anniversary of Carl Sagan's birth, the second "Carl Sagan Day" was celebrated on November 6.

Awards and honors

Annual Award for Television Excellence — 1981 — The Ohio State University — PBS series ''Cosmos''

Apollo Achievement Award — National Aeronautics and Space Administration

NASA Distinguished Public Service Medal — National Aeronautics and Space Administration (twice)

Emmy — Outstanding Individual Achievement — 1981 — PBS series ''Cosmos''

Emmy — Outstanding Informational Series — 1981 — PBS series ''Cosmos''

Exceptional Scientific Achievement Medal — National Aeronautics and Space Administration

Helen Caldicott Leadership Award — Women's Action for Nuclear Disarmament

Hugo Award — 1981 — ''Cosmos''

Humanist of the Year — 1981 — Awarded by the American Humanist Association

In Praise of Reason Award — 1987 — Committee for the Scientific Investigation of Claims of the Paranormal

Isaac Asimov Award — 1994 — Committee for the Scientific Investigation of Claims of the Paranormal

John F. Kennedy Astronautics Award — American Astronautical Society

John W. Campbell Memorial Award — 1974 — ''Cosmic Connection: An Extraterrestrial Perspective''

Joseph Priestley Award — "For distinguished contributions to the welfare of mankind"

Klumpke-Roberts Award of the Astronomical Society of the Pacific — 1974

Konstantin Tsiolkovsky Medal — Awarded by the Soviet Cosmonauts Federation

Locus Award 1986 — ''Contact''

Lowell Thomas Award — Explorers Club — 75th Anniversary

Masursky Award — American Astronomical Society

Miller Research Fellowship — Miller Institute (1960–1962)

Oersted Medal — 1990 — American Association of Physics Teachers

Peabody Award — 1980 — PBS series ''Cosmos''

Prix Galbert — The international prize of Astronautics

Public Welfare Medal — 1994 — National Academy of Sciences

Pulitzer Prize for General Non-Fiction — 1978 — ''The Dragons of Eden''

SF Chronicle Award — 1998 — ''Contact''

Named the "99th Greatest American" on the June 5, 2005, ''Greatest American'' show on the Discovery Channel

Publications

''Planets'' (LIFE Science Library), Sagan, Carl, Jonathan Norton Leonard and editors of Life, Time, Inc., 1966

''Intelligent Life in the Universe'', I.S. Shklovskii coauthor, Random House, 1966, ISBN 1-892803-02-X, 509 pgs (note: republished in 1998 by Emerson-Adams Press)

''UFOs: A Scientific Debate'', Thornton Page coauthor, Cornell University Press, 1972, 310 pgs

''Communication with Extraterrestrial Intelligence''. MIT Press, 1973, 428 pgs

''Mars and the Mind of Man'', Sagan, Carl, et al., Harper & Row, 1973, 143 pgs

''Cosmic Connection: An Extraterrestrial Perspective'', Jerome Agel coauthor, Anchor Press, 1973, ISBN 0-521-78303-8, 301 pgs

''Other Worlds''. Bantam Books, 1975

''Murmurs of Earth: The Voyager Interstellar Record'', Sagan, Carl, et al., Random House, ISBN 0-394-41047-5, 1978

''The Dragons of Eden: Speculations on the Evolution of Human Intelligence''. Ballantine Books, 1978, ISBN 0-345-34629-7, 288 pgs

''Broca's Brain: Reflections on the Romance of Science''. Ballantine Books, 1979, ISBN 0-345-33689-5, 416 pgs

''Cosmos''. Random house, 1980. Random House New Edition, May 7, 2002, ISBN 0-375-50832-5, 384 pgs

''The Cold and the Dark: The World after Nuclear War'', Sagan, Carl et al., Sidgwick & Jackson, 1985

''Comet'', Ann Druyan coauthor, Ballantine Books, 1985, ISBN 0-345-41222-2, 496 pgs

''Contact''. Simon and Schuster, 1985; Reissued August 1997 by Doubleday Books, ISBN 1-56865-424-3, 352 pgs

''A Path Where No Man Thought: Nuclear Winter and the End of the Arms Race'', Richard Turco coauthor, Random House, 1990, ISBN 0-394-58307-8, 499 pgs

''Shadows of Forgotten Ancestors: A Search for Who We Are'', Ann Druyan coauthor, Ballantine Books, October 1993, ISBN 0-345-38472-5, 528 pgs

''Pale Blue Dot: A Vision of the Human Future in Space''. Random House, November 1994, ISBN 0-679-43841-6, 429 pgs

''The Demon-Haunted World: Science as a Candle in the Dark''. Ballantine Books, March 1996, ISBN 0-345-40946-9, 480 pgs (note: the book was first published and copyrighted in 1995 with an errata slip inserted)

''Billions and Billions: Thoughts on Life and Death at the Brink of the Millennium'', Ann Druyan coauthor, Ballantine Books, June 1997, ISBN 0-345-37918-7, 320 pgs

''The Varieties of Scientific Experience: A Personal View of the Search for God'', Carl Sagan (writer) & Ann Druyan (editor), 1985 Gifford lectures, Penguin Press HC, November 2006, ISBN 1-59420-107-2, 304 pgs

References

Further reading

External links

The Carl Sagan Portal

BBC Radio program "Great Lives" on Carl Sagan's life

A Man whose time Has come — Interview with Carl Sagan by Ian Ridpath, New Scientist 1974 July 4

Carl Sagan Prize for Science Popularization

Carl Sagan Medal for Excellence in Public Communication in Planetary Science, presented by the American Astronomical Society's Division for Planetary Sciences (AAS/DPS)

Carl Sagan Center for the Study of Life in the Universe, SETI Institute

Carl Sagan's Life and Legacy as Scientist, Teacher, and Skeptic, Committee for Skeptical Inquiry

Cosmos — Full Episodes and Clips streaming online for free — Hulu, Cosmos online for free

A Tribute to Carl Sagan: Our Place in the Universe, The Skeptics Society

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Coordinates	57°37′″N39°51′″N
name	Jonathan Swift
pseudonym	M.B. Drapier, Lemuel Gulliver, Isaac Bickerstaff
birth date	November 30, 1667
birth place	Dublin, Ireland1
death date	October 19, 1745
death place	Ireland
language	English
alma mater	Trinity College, Dublin
occupation	Satirist, essayist, political pamphleteer, poet, priest
notableworks	''Gulliver's Travels''''A Modest Proposal''''A Tale of a Tub''''Drapier's Letters''
influenced	George Orwell, H. G. Wells, William S. Burroughs, Charlotte Brontë, Machado de Assis
website	}}

Jonathan Swift (30 November 1667 – 19 October 1745) was an Anglo-Irish satirist, essayist, political pamphleteer (first for the Whigs, then for the Tories), poet and cleric who became Dean of St. Patrick's Cathedral, Dublin.

He is remembered for works such as ''Gulliver's Travels'', ''A Modest Proposal'', ''A Journal to Stella'', ''Drapier's Letters'', ''The Battle of the Books'', ''An Argument Against Abolishing Christianity'', and ''A Tale of a Tub''. Swift is probably the foremost prose satirist in the English language, and is less well known for his poetry. Swift originally published all of his works under pseudonyms—such as Lemuel Gulliver, Isaac Bickerstaff, M.B. Drapier—or anonymously. He is also known for being a master of two styles of satire: the Horatian and Juvenalian styles.

Biography

Youth

Jonathan Swift was born at No. 7, Hoey's Court, Dublin, the city residence of his uncle and benefactor Godwin Swift (1628-1695), of Swifts Heath House, Co. Kilkenny. He was the second child and only son of Jonathan Swift (1640-1667) and his wife Abigail Erick (or Herrick), of Frisby-on-the-Wreake. His father, a native of Goodrich, Herefordshire, accompanied his brothers to Ireland to seek their fortunes in law after their Royalist father's estate was brought to ruin during the English Civil War. Swift's father died at Dublin before he was born, and his mother returned to England. He was left in the care of his influential uncle, Godwin, a close friend and confidante of Sir John Temple, whose son later employed Swift as his secretary.

Swift's family had several interesting literary connections: His grandmother, Elizabeth (Dryden) Swift, was the niece of Sir Erasmus Dryden, grandfather of the poet John Dryden. The same grandmother's aunt, Katherine (Throckmorton) Dryden, was a first cousin of the wife of Sir Walter Raleigh. His great-great grandmother, Margaret (Godwin) Swift, was the sister of Francis Godwin, author of The Man in the Moone which influenced parts of Swift's Gulliver's Travels. His uncle, Thomas Swift, married a daughter of the poet and playwright Sir William Davenant, a godson of William Shakespeare.

His uncle Godwin took primary responsibility for the young Jonathan, sending him with one of his cousins to Kilkenny College (also attended by the philosopher George Berkeley). In 1682 he attended Dublin University (Trinity College, Dublin), financed by Godwin's son, Willoughby, from where he received his B.A. in 1686, and developed his friendship with William Congreve. Swift was studying for his Master's degree when political troubles in Ireland surrounding the Glorious Revolution forced him to leave for England in 1688, where his mother helped him get a position as secretary and personal assistant of Sir William Temple at Moor Park, Farnham. Temple was an English diplomat who, having arranged the Triple Alliance of 1668, retired from public service to his country estate to tend his gardens and write his memoirs. Gaining the confidence of his employer, Swift "was often trusted with matters of great importance." Within three years of their acquaintance, Temple had introduced his secretary to William III, and sent him to London to urge the King to consent to a bill for triennial Parliaments.

When Swift took up his residence at Moor Park, he met Esther Johnson, then eight years old, the fatherless daughter of one of the household servants. Swift acted as her tutor and mentor, giving her the nickname "Stella", and the two maintained a close but ambiguous relationship for the rest of Esther's life.

Swift left Temple in 1690 for Ireland because of his health, but returned to Moor Park the following year. The illness, fits of vertigo or giddiness—now known to be Ménière's disease—would continue to plague Swift throughout his life. During this second stay with Temple, Swift received his M.A. from Hertford College, Oxford in 1692. Then, apparently despairing of gaining a better position through Temple's patronage, Swift left Moor Park to become an ordained priest in the Established Church of Ireland and in 1694 he was appointed to the prebend of Kilroot in the Diocese of Connor, with his parish located at Kilroot, near Carrickfergus in County Antrim.

Swift appears to have been miserable in his new position, being isolated in a small, remote community far from the centres of power and influence. While at Kilroot, however, Swift may well have become romantically involved with Jane Waring. A letter from him survives, offering to remain if she would marry him and promising to leave and never return to Ireland if she refused. She presumably refused, because Swift left his post and returned to England and Temple's service at Moor Park in 1696, and he remained there until Temple's death. There he was employed in helping to prepare Temple's memoirs and correspondence for publication. During this time Swift wrote ''The Battle of the Books'', a satire responding to critics of Temple's ''Essay upon Ancient and Modern Learning'' (1690). ''Battle'' was however not published until 1704.

On 27 January 1699 Temple died. Swift stayed on briefly in England to complete the editing of Temple's memoirs, and perhaps in the hope that recognition of his work might earn him a suitable position in England. However, Swift's work made enemies of some of Temple's family and friends who objected to indiscretions included in the memoirs. His next move was to approach King William directly, based on his imagined connection through Temple and a belief that he had been promised a position. This failed so miserably that he accepted the lesser post of secretary and chaplain to the Earl of Berkeley, one of the Lords Justices of Ireland. However, when he reached Ireland he found that the secretaryship had already been given to another. But he soon obtained the living of Laracor, Agher, and Rathbeggan, and the prebend of Dunlavin in St. Patrick's Cathedral, Dublin.

At Laracor, a mile or two from Trim, County Meath, and twenty miles (32 km) from Dublin, Swift ministered to a congregation of about fifteen people, and had abundant leisure for cultivating his garden, making a canal (after the Dutch fashion of Moor Park), planting willows, and rebuilding the vicarage. As chaplain to Lord Berkeley, he spent much of his time in Dublin and traveled to London frequently over the next ten years. In 1701, Swift published, anonymously, a political pamphlet, ''A Discourse on the Contests and Dissentions in Athens and Rome''.

Writer

In February 1702, Swift received his Doctor of Divinity degree from Trinity College, Dublin. That spring he traveled to England and returned to Ireland in October, accompanied by Esther Johnson—now twenty years old—and his friend Rebecca Dingley, another member of William Temple's household. There is a great mystery and controversy over Swift's relationship with Esther Johnson nicknamed "Stella". Many hold that they were secretly married in 1716.

During his visits to England in these years Swift published ''A Tale of a Tub'' and ''The Battle of the Books'' (1704) and began to gain a reputation as a writer. This led to close, lifelong friendships with Alexander Pope, John Gay, and John Arbuthnot, forming the core of the Martinus Scriblerus Club (founded in 1713).

Swift became increasingly active politically in these years. From 1707 to 1709 and again in 1710, Swift was in London, unsuccessfully urging upon the Whig administration of Lord Godolphin the claims of the Irish clergy to the First-Fruits and Twentieths ("Queen Anne's Bounty"), which brought in about £2,500 a year, already granted to their brethren in England. He found the opposition Tory leadership more sympathetic to his cause and Swift was recruited to support their cause as editor of the Examiner when they came to power in 1710. In 1711, Swift published the political pamphlet "The Conduct of the Allies," attacking the Whig government for its inability to end the prolonged war with France. The incoming Tory government conducted secret (and illegal) negotiations with France, resulting in the Treaty of Utrecht (1713) ending the War of the Spanish Succession.

Swift was part of the inner circle of the Tory government, and often acted as mediator between Henry St. John (Viscount Bolingbroke) the secretary of state for foreign affairs (1710–15) and Robert Harley (Earl of Oxford) lord treasurer and prime minister (1711–1714). Swift recorded his experiences and thoughts during this difficult time in a long series of letters to Esther Johnson, later collected and published as ''The Journal to Stella''. The animosity between the two Tory leaders eventually led to the dismissal of Harley in 1714. With the death of Queen Anne and accession of George I that year, the Whigs returned to power and the Tory leaders were tried for treason for conducting secret negotiations with France.

Also during these years in London, Swift became acquainted with the Vanhomrigh family and became involved with one of the daughters, Esther, yet another fatherless young woman and another ambiguous relationship to confuse Swift's biographers. Swift furnished Esther with the nickname "Vanessa" and she features as one of the main characters in his poem ''Cadenus and Vanessa.'' The poem and their correspondence suggests that Esther was infatuated with Swift, and that he may have reciprocated her affections, only to regret this and then try to break off the relationship. Esther followed Swift to Ireland in 1714, where there appears to have been a confrontation, possibly involving Esther Johnson. Esther Vanhomrigh died in 1723 at the age of 35. Another lady with whom he had a close but less intense relationship was Anne Long, a toast of the Kit-Cat Club.

Maturity

Before the fall of the Tory government, Swift hoped that his services would be rewarded with a church appointment in England. However, Queen Anne appeared to have taken a dislike to Swift and thwarted these efforts. The best position his friends could secure for him was the Deanery of St. Patrick's, Dublin. With the return of the Whigs, Swift's best move was to leave England and he returned to Ireland in disappointment, a virtual exile, to live "like a rat in a hole".

Once in Ireland, however, Swift began to turn his pamphleteering skills in support of Irish causes, producing some of his most memorable works: ''Proposal for Universal Use of Irish Manufacture'' (1720), ''Drapier's Letters'' (1724), and ''A Modest Proposal'' (1729), earning him the status of an Irish patriot.

Also during these years, he began writing his masterpiece, ''Travels into Several Remote Nations of the World, in Four Parts, by Lemuel Gulliver, first a surgeon, and then a captain of several ships'', better known as ''Gulliver's Travels''. Much of the material reflects his political experiences of the preceding decade. For instance, the episode in which the giant Gulliver puts out the Lilliputian palace fire by urinating on it can be seen as a metaphor for the Tories' illegal peace treaty; having done a good thing in an unfortunate manner. In 1726 he paid a long-deferred visit to London, taking with him the manuscript of ''Gulliver's Travels''. During his visit he stayed with his old friends Alexander Pope, John Arbuthnot and John Gay, who helped him arrange for the anonymous publication of his book. First published in November 1726, it was an immediate hit, with a total of three printings that year and another in early 1727. French, German, and Dutch translations appeared in 1727, and pirated copies were printed in Ireland.

Swift returned to England one more time in 1727 and stayed with Alexander Pope once again. The visit was cut short when Swift received word that Esther Johnson was dying and rushed back home to be with her. On 28 January 1728, Esther Johnson died; Swift had prayed at her bedside, even composing prayers for her comfort. Swift could not bear to be present at the end, but on the night of her death he began to write his ''The Death of Mrs. Johnson''. He was too ill to attend the funeral at St. Patrick's. Many years later, a lock of hair, assumed to be Esther Johnson's, was found in his desk, wrapped in a paper bearing the words, "Only a woman's hair."

Death became a frequent feature in Swift's life from this point. In 1731 he wrote ''Verses on the Death of Dr. Swift'', his own obituary published in 1739. In 1732, his good friend and collaborator John Gay died. In 1735, John Arbuthnot, another friend from his days in London, died. In 1738 Swift began to show signs of illness, and in 1742 he appears to have suffered a stroke, losing the ability to speak and realizing his worst fears of becoming mentally disabled. ("I shall be like that tree," he once said, "I shall die at the top.") To protect him from unscrupulous hangers on, who had begun to prey on the great man, his closest companions had him declared of "unsound mind and memory." However, it was long believed by many that Swift was really insane at this point. In his book ''Literature and Western Man'', author J.B. Priestley even cites the final chapters of ''Gulliver's Travels'' as proof of Swift's approaching "insanity".

In part VIII of his series, ''The Story of Civilization'', Will Durant describes the final years of Swift's life as such:

"Definite symptoms of madness appeared in 1738. In 1741 guardians were appointed to take care of his affairs and watch lest in his outbursts of violence he should do himself harm. In 1742 he suffered great pain from the inflammation of his left eye, which swelled to the size of an egg; five attendants had to restrain him from tearing out his eye. He went a whole year without uttering a word."

In 1744, Alexander Pope died. Then, on October 19, 1745, Swift died. After being laid out in public view for the people of Dublin to pay their last respects, he was buried in his own cathedral by Esther Johnson's side, in accordance with his wishes. The bulk of his fortune (twelve thousand pounds) was left to found a hospital for the mentally ill, originally known as St. Patrick’s Hospital for Imbeciles, which opened in 1757, and which still exists as a psychiatric hospital.

Epitaph

:''Text extracted from the introduction to ''The Journal to Stella'' by George A. Aitken and from other sources)''

Jonathan Swift wrote his own epitaph:

: ''Hic'' depositum est Corpus : IONATHAN SWIFT S.T.D. : Hujus Ecclesiæ Cathedralis : Decani, : ''Ubi'' sæva Indignatio : Ulterius : Cor lacerare nequit, : Abi Viator : Et imitare, si poteris, : Strenuum pro virili : Libertatis Vindicatorem.

: Obiit 19º Die Mensis Octobris : A.D. 1745 Anno Ætatis 78º.

The literal translation of which is: "''Here'' is laid the Body of Jonathan Swift, Doctor of Sacred Theology, Dean of this Cathedral Church, ''where'' fierce Indignation can no longer injure the Heart. Go forth, Voyager, and copy, if you can, this vigorous (to the best of his ability) Champion of Liberty. He died on the 19th Day of the Month of October, A.D. 1745, in the 78th Year of his Age."

William Butler Yeats poetically translated it from the Latin as:

: Swift has sailed into his rest. : Savage indignation there : cannot lacerate his breast. : Imitate him if you dare, : world-besotted traveller. : He served human liberty.

Works

Swift was a prolific writer, notable for his satires. The most recent collection of his prose works (Herbert Davis, ed. Basil Blackwell, 1965-) comprises fourteen volumes. A recent edition of his complete poetry (Pat Rodges, ed. Penguin, 1983) is 953 pages long. One edition of his correspondence (David Woolley, ed. P. Lang, 1999) fills three volumes.

Major prose works

Swift's first major prose work, ''A Tale of a Tub'', demonstrates many of the themes and stylistic techniques he would employ in his later work. It is at once wildly playful and funny while being pointed and harshly critical of its targets. In its main thread, the ''Tale'' recounts the exploits of three sons, representing the main threads of Christianity, who receive a bequest from their father of a coat each, with the added instructions to make no alterations whatsoever. However, the sons soon find that their coats have fallen out of current fashion, and begin to look for loopholes in their father's will that will let them make the needed alterations. As each finds his own means of getting around their father's admonition, they struggle with each other for power and dominance. Inserted into this story, in alternating chapters, the narrator includes a series of whimsical "digressions" on various subjects.

In 1690, Sir William Temple, Swift's patron, published ''An Essay upon Ancient and Modern Learning'' a defense of classical writing (see Quarrel of the Ancients and the Moderns) holding up the ''Epistles of Phalaris'' as an example. William Wotton responded to Temple with ''Reflections upon Ancient and Modern Learning'' (1694) showing that the ''Epistles'' were a later forgery. A response by the supporters of the Ancients was then made by Charles Boyle (later the 4th Earl of Orrery and father of Swift's first biographer). A further retort on the Modern side came from Richard Bentley, one of the pre-eminent scholars of the day, in his essay ''Dissertation upon the Epistles of Phalaris'' (1699). However, the final words on the topic belong to Swift in his ''Battle of the Books'' (1697, published 1704) in which he makes a humorous defense on behalf of Temple and the cause of the Ancients.

In 1708, a cobbler named John Partridge published a popular almanac of astrological predictions. Because Partridge falsely determined the deaths of several church officials, Swift attacked Partridge in ''Predictions For The Ensuing Year'' by Isaac Bickerstaff, a parody predicting that Partridge would die on March 29. Swift followed up with a pamphlet issued on March 30 claiming that Partridge had in fact died, which was widely believed despite Partridge's statements to the contrary. According to other sources, Richard Steele uses the personae of Isaac Bickerstaff and was the one who wrote about the "death" of John Partridge and published it in ''The Spectator,'' not Jonathan Swift.*

''Drapier's Letters'' (1724) was a series of pamphlets against the monopoly granted by the English government to William Wood to provide the Irish with copper coinage. It was widely believed that Wood would need to flood Ireland with debased coinage in order make a profit. In these "letters" Swift posed as a shop-keeper—a draper—in order to criticize the plan. Swift's writing was so effective in undermining opinion in the project that a reward was offered by the government to anyone disclosing the true identity of the author. Though hardly a secret (on returning to Dublin after one of his trips to England, Swift was greeted with a banner, "Welcome Home, Drapier") no one turned Swift in. The government eventually resorted to hiring none other than Sir Isaac Newton to certify the soundness of Wood's coinage to counter Swift's accusations. In "Verses on the Death of Dr. Swift" (1739) Swift recalled this as one of his best achievements.

''Gulliver's Travels'', a large portion of which Swift wrote at Woodbrook House in County Laois, was published in 1726. It is regarded as his masterpiece. As with his other writings, the ''Travels'' was published under a pseudonym, the fictional Lemuel Gulliver, a ship's surgeon and later a sea captain. Some of the correspondence between printer Benj. Motte and Gulliver's also-fictional cousin negotiating the book's publication has survived. Though it has often been mistakenly thought of and published in bowdlerized form as a children's book, it is a great and sophisticated satire of human nature based on Swift's experience of his times. ''Gulliver's Travels'' is an anatomy of human nature, a sardonic looking-glass, often criticized for its apparent misanthropy. It asks its readers to refute it, to deny that it has adequately characterized human nature and society. Each of the four books—recounting four voyages to mostly-fictional exotic lands—has a different theme, but all are attempts to deflate human pride. Critics hail the work as a satiric reflection on the shortcomings of Enlightenment thought.

In 1729, Swift published ''A Modest Proposal for Preventing the Children of Poor People in Ireland Being a Burden on Their Parents or Country, and for Making Them Beneficial to the Publick,'' a satire in which the narrator, with intentionally grotesque logic, recommends that Ireland's poor escape their poverty by selling their children as food to the rich: ”I have been assured by a very knowing American of my acquaintance in London, that a young healthy child well nursed is at a year old a most delicious nourishing and wholesome food...” Following the satirical form, he introduces the reforms he is actually suggesting by deriding them:

Therefore let no man talk to me of other expedients...taxing our absentees...using [nothing] except what is of our own growth and manufacture...rejecting...foreign luxury...introducing a vein of parsimony, prudence and temperance...learning to love our country...quitting our animosities and factions...teaching landlords to have at least one degree of mercy towards their tenants....Therefore I repeat, let no man talk to me of these and the like expedients, 'till he hath at least some glympse of hope, that there will ever be some hearty and sincere attempt to put them into practice.

Essays, tracts, pamphlets, periodicals

"A Meditation upon a Broomstick" (1703–1710): Full text: munseys.com

"A Critical Essay upon the Faculties of the Mind" (1707–1711)

The Bickerstaff-Partridge Papers (1708–1709): Full text: U of Adelaide

"An Argument Against Abolishing Christianity" (1708–1711): Full text: U of Adelaide

''The Intelligencer'' (with Thomas Sheridan) (1719–1788): Text: Project Gutenberg

''The Examiner'' (1710): Texts: Ourcivilisation.com, Project Gutenberg

"A Proposal for Correcting, Improving and Ascertaining the English Tongue" (1712): Full texts: Jack Lynch, U of Virginia

"On the Conduct of the Allies" (1713)

"Hints Toward an Essay on Conversation" (1713): Full text: Bartleby.com

"A Letter to a Young Gentleman, Lately Entered into Holy Orders" (1720)

"A Letter of Advice to a Young Poet" (1721): Full text: Bartleby.com

''Drapier's Letters'' (1724, 1725): Full text: Project Gutenberg

"Bon Mots de Stella" (1726): a curiously irrelevant appendix to "Gulliver's Travels"

"A Modest Proposal", perhaps the most notable satire in English, suggesting that the Irish should engage in cannibalism. (Written in 1729)

"An Essay on the Fates of Clergymen": Full text: JaffeBros

"A Treatise on Good Manners and Good Breeding": Full text: Bartleby.com

Poems

"Ode to the Athenian Society", Swift's first publication, printed in The Athenian Mercury in the supplement of Feb 14, 1691.

Poems of Jonathan Swift, D.D. Texts at Project Gutenberg: Volume One, Volume Two

"Baucis and Philemon" (1706–1709): Full text: Munseys

"A Description of the Morning" (1709): Full annotated text: U of Toronto; Another text: U of Virginia

"A Description of a City Shower" (1710): Full text: U of Virginia

"Cadenus and Vanessa" (1713): Full text: Munseys

"Phillis, or, the Progress of Love" (1719): Full text: theotherpages.org

Stella's birthday poems:

* 1719. Full annotated text: U of Toronto

* 1720. Full text: U of Virginia

* 1727. Full text: U of Toronto

"The Progress of Beauty" (1719–1720): Full text: OurCivilisation.com

"The Progress of Poetry" (1720): Full text: theotherpages.org

"A Satirical Elegy on the Death of a Late Famous General" (1722): Full text: U of Toronto

"To Quilca, a Country House not in Good Repair" (1725): Full text: U of Toronto

"Advice to the Grub Street Verse-writers" (1726): Full text: U of Toronto

"The Furniture of a Woman's Mind" (1727)

"On a Very Old Glass" (1728): Full text: Gosford.co.uk

"A Pastoral Dialogue" (1729): Full text: Gosford.co.uk

"The Grand Question debated Whether Hamilton's Bawn should be turned into a Barrack or a Malt House" (1729): Full text: Gosford.co.uk

"On Stephen Duck, the Thresher and Favourite Poet" (1730): Full text: U of Toronto

"Death and Daphne" (1730): Full text: OurCivilisation.com

"The Place of the Damn'd" (1731): Full text

"A Beautiful Young Nymph Going to Bed" (1731): Full annotated text: Jack Lynch; Another text: U of Virginia

"Strephon and Chloe" (1731): Full annotated text: Jack Lynch; Another text: U of Virginia

"Helter Skelter" (1731): Full text: OurCivilisation.com

"Cassinus and Peter: A Tragical Elegy" (1731): Full annotated text: Jack Lynch

"The Day of Judgment" (1731): Full text

"Verses on the Death of Dr. Swift, D.S.P.D." (1731–1732): Full annotated texts: Jack Lynch, U of Toronto; Non-annotated text:: U of Virginia

"An Epistle To A Lady" (1732): Full text: OurCivilisation.com

"The Beasts' Confession to the Priest" (1732): Full annotated text: U of Toronto

"The Lady's Dressing Room" (1732): Full annotated text: Jack Lynch

"On Poetry: A Rhapsody" (1733)

"The Puppet Show" Full text: Worldwideschool.org

"The Logicians Refuted" Full text: Worldwideschool.org

Correspondence, personal writings

"When I Come to Be Old" – Swift's resolutions. (1699): Full text: JaffeBros

''The Journal to Stella'' (1710–1713): Full text (presented as daily entries): The Journal to Stella; Extracts: OurCivilisation.com;

Letters:

* Selected Letters: JaffeBros

* To Oxford and Pope: OurCivilisation.com

'The Correspondence of Jonathan Swift, D.D'. Edited by David Woolley. In four volumes, plus index volume. Frankfurt am Main ; New York : P. Lang, c1999-c2007.

Sermons, prayers

Three Sermons and Three Prayers. Full text: U of Adelaide, Project Gutenberg

Three Sermons: I. on mutual subjection. II. on conscience. III. on the trinity. Text: Project Gutenberg

Writings on Religion and the Church. Text at Project Gutenberg: Volume One, Volume Two

"The First He Wrote Oct. 17, 1727." Full text: Worldwideschool.org

"The Second Prayer Was Written Nov. 6, 1727." Full text: Worldwideschool.org

Miscellany

''Directions to Servants'' (1731):: Extracts: OurCivilisation.com

''A Complete Collection of Genteel and Ingenious Conversation'' (1738)

"Thoughts on Various Subjects." Full text: U of Adelaide

Historical Writings: Project Gutenberg

Swift Quotations: JaffeBros – many choice, well-documented Swift quotations here

Swift quotes at Bartleby: Bartleby.com – 59 quotations, with notes

Legacy

John Ruskin named him as one of the three people in history who were the most influential for him.

Notes

Biographical sources

Samuel Johnson's "Life of Swift": JaffeBros. From his ''Lives of the Poets''.

William Makepeace Thackeray's influential vitriolic biography: JaffeBros. From his ''English Humourists of The Eighteenth Century''.

Bullitt, John M. ''Jonathan Swift and the Anatomy of Satire: A Study of Satiric Technique'', 1953, Cambridge: Harvard U P,

Jae Num Lee "Swift and Scatological Satire", 1971, University of New Mexico Press, ISBN 0826301967 jstor review

Lee, Jae Num. "Scatology in Continental Satirical Writings from Aristophanes to Rabelais" and "English Scatological Writings from Skelton to Pope." Swift and Scatological Satire. Albuquerque: U of New Mexico P, 1971. 7–22; 23–53.

Susan Gubar "The Female Monster in Augustan Satire" Signs, Vol. 3, No. 2 (Winter, 1977), pp. 380–394

Many other sources are listed here.

See also

Poor Richard's Almanack

Sweetness and light

External links

Free audiobook of ''A Modest Proposal'' from LibriVox

BBC audio file "Swift's ''A modest Proposal''". BBC discussion. ''In our time''.

E-texts of works

The Online Books Page

Gulliver's Travels

Category:1667 births Category:1745 deaths Category:18th-century Anglican clergy Category:Alumni of Hertford College, Oxford Category:Alumni of Kilkenny College Category:Anglo-Irish artists Category:Anglo-Irish people Category:Burials at St Patrick's Cathedral, Dublin Category:Christian writers Category:English Anglicans Category:English fantasy writers Category:English novelists Category:English poets Category:English political writers Category:English satirists Category:Irish fantasy writers Category:Irish novelists Category:Irish poets Category:Irish political writers Category:Irish satirists Category:Neoclassical writers Category:People associated with Trinity College, Dublin Category:People from County Dublin Category:Church of Ireland deans

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